Items related to Structures of Feeling

Structures of Feeling - Softcover

Tu, Hung Q.

  • 4.33 out of 5 stars
    6 ratings by Goodreads
 
9781928650195: Structures of Feeling

Synopsis

Poetry. Asian American Studies. "Hung Q. Tu's poetic modules are not 'pieces' in the traditional sense--that is, staged, subjectively actored and assumedly audienced, they are more like an intelligent arraying of graffiti that you'd run into in a modern city's sub-throughway, perhaps a bit run-down, but with a shiny glass building across the street..."--Rodrigo Toscano. "Hung Q. Tu's poems push the mind into a nest of steel rods all hitting the surface of an unknown shape at the same moment: political and quotidian, in language demotic and arcane they acutely render the beauty of scorn"--Tom Raworth.

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Reviews

Following up on Verisimilitude (2000), Tu's eight formally spare and elegant assays hold globalism and first-world mindsets in a sort of suspended animation, like a punk-rock diorama, or a meditative counter-spectacle to a 24-hour cable news channel: "Teriyaki plains indians/ Napoleon rose to the rank of syndrome/ salary hats/ well-armed drunks wear out the welcome wagon/ ski masks as hood ornament// pinch me I'm in America," writes Tu in the opener, "Tophatters." The air of the interior exile is apparent in the ironic eye cast on all social narratives, and in a dark wit that doesn't seem to believe that spontaneous creativity, even if ebullient, can really matter. An intentional aridness intensifies this sense of remove, and allows a kind of rigorous stock-taking and role-shifting. The sequence "[untitled]" is perhaps the loosest, most frenetic and daunting piece. Seemingly random at first, rushing from word to word without breaking to assess the phrase, a careful reading reveals Tu's characteristic acidity ("evidence/ in stitches") and many mischievous spanners thrown into works of false consciousness: "psyched `nice boss' medicinal/ I saw my tenth-grade heart replaced by/ a conch on CBS aka him vinegar joe/ akimbo bareheaded and bespectacled/ etc. ended in the fifties." Such sequences, and there are many here, take readers on a lively, deftly accounted gallery tour that puts together some hardcore, if unsettled and bleak, structures for thinking and feeling.
Copyright 2003 Reed Business Information, Inc.

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