Swim: Stories of the Sixties
In three long stories, Scofield follows the journey of a young homeless woman searching for selfhood, purpose, and belonging.
It's the early Sixties. The Grateful Dead and free love are still around the corner. But the young woman in these three stories knows that sex is the coin of the realm. From Mexico to Mykonos, she's looking for a place to light, and she thinks she'll know when she's finally home. For sure she knows she doesn't want men to tell her how to live. She doesn't even want them saying her name.
In "Oh Baby Oh" the woman--let's call her "Baby"--hitchhikes from New York to San Francisco, to join a young man she met three years earlier. He wants to settle down in a conventional way, but she hopes he'll settle for her company long enough for her to plan her own future. She learns that her underlying contempt for an unsophisticated man is a sure way to be seen as contemptuous herself. Only the kindness of a young couple saves her from despair.
In "An Easy Pass" Baby spends a day at a tienta--the testing of brave bulls--on a bullfighter's ranch. There, she thinks she knows her place, and feels safe. After all, she amuses her host, and asks nothing of him, so feels superior to the other women who have gathered at the ranch. But when she capes a calf in the ring, her powerful host, with his cruel sense of play, lets her know where she stands in the world where she does not belong.
Finally, on the island of Mykonos, long before it became an Adriatic hot spot, Baby offers her friendship and guidance to two young soldiers on holiday. She helps them find a room, the best food, the best beach, and asks for nothing but their company. Only the soldiers are Oklahoma hardshell Baptist Christians. Confounded by Baby's insouciance, they scheme to save her from a rootless life, which sends her, in a fit of angry independence, straight out to sea
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From American Book Award winner and National Book Award finalist comes a long-awaited book of stories.
Three connected stories about an ingenue who travels across continents and oceans in the 1960s.
Scofield (Occasions of Sin, 2004, etc.) offers three pieces about solo travel as a woman flirts with danger while trying to prove a theory about female autonomy. In each story--"Oh Baby Oh," a hitchhiking tale; "An Easy Pass," about a stay at a bullfighter's ranch; and the title story, set on the island of Mykonos with two soldiers--Baby attempts to use her sexuality to curry favor. But she doesn't yet understand men, herself, or how this might work. Baby--as she lets the men call her--carries The Stranger and misguided regret. "She does not yet think of herself and her peers as men and women," nor has she formed skills to stay in one place and deal with conflict. First she hitchhikes west, toward the dream of a soldier she met as a teen, an idea she admits to herself "is so ridiculous, and so certain" that she is willing to risk her safety. Next, on the bullfighter's ranch, she sees men practice the art of power play with bulls and women. To the matadors, the games have consequences. "Why, then," she writes, "would I want to practice passes, except to go into the ring...." Each encounter between man and woman, animal and man, is fraught with the tension of seductive control. Finally, Scofield flips the power dynamic on Mykonos. But Baby's self-harming betrays her outward confidence. She tries her hardest to communicate her theory about female independence, arguing, "I want my own damned reasons to be who I am....I want my own schedule for it." Her happiness depends on her ability to adapt. Short pieces by an author who wields unease like a tool; a lean volume full of hearty character details and mid-20s yearning. - Kirkus Reviews
"The stories in SWIM are exquisite renderings by a restless narrator who knows life's lessons will only be revealed to her future self... Each one is a gift by a master at the height of her talents." -James Anderson, The Never-Open Desert Diner and Lullaby Road
PRAISE FOR PREVIOUS WORKS
"Scofield's sense of history and of place is unfaltering, unflagging...." --Boston Sunday Globe
"In its groping sense of honesty and its plain-spoken, understated pain, it has the attributes of a classic." -Art Winslow, Chicago Tribune
"Poignant and clearly cathartic, this is a tender, melancholic coming-of-age story." -Publishers Weekly
"Scofield investigates the insistence of desire, the inability to transcend the body and the indissoluble bond between mother and daughter." -San Francisco Chronicle
Scofield creates "a richly sensory portrait of a world in exile--not only in a foreign land but within one woman's own skin." --New York Times Book Review
Scofield's subtly nuanced portrayal of the awkwardness, confusion, and inchoate desires of adolescence is remarkable for its balance, insight, and cumulative power." --Publishers Weekly
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