From the Publisher:
Born March 21, 1962 in Hueytown, Alabama, Mark Waid bought his first comic in 1966 at the beginning of TV's Batmania and has never once since entertained the notion of not buying comics. In 1987, Mark joined DC Comics as a staff editor and two years later left to pursue a full-time freelance career that spanned the 1990s and into the early 2000s. That period led to award-winning runs on The Flash for DC Comics and Captain America for Marvel Comics. In 1996, he co-created the Eisner award winning Kingdom Come at DC Comics. Since then, he has worked for every major comics publisher and has authored a broader range of well-known comics characters---including Superman, Batman, Spider-Man, the X-Men, and Archie---than any other writer in the history of the medium. With his encyclopedic knowledge of comics history, Mark also serves as an historian; he has published hundreds of articles and four books on the subject, and has fielded research questions from sources as diverse as Time, Variety, and the Library of Congress. Mark writes Ruse at CrossGen, nominated for a 2002 Harvey Award as Best Series and for Best Single Story, and for which Mark himself was nominated as Best Writer.
From Publishers Weekly:
Nominated for five Eisner Awards, this addition to CrossGen's burgeoning line is a typically slick and high-concept package Sherlock Holmes meets the X-Files but great fun, too. The Holmes character is Simon Archard, more studly than Conan Doyle's original, but equally brilliant and arrogant. In place of Dr. Watson, we have Emma Bishop, a pert, sarcastic blonde. Since Emma narrates their adventures, she has ample opportunities for wry commentary on Simon and the off-kilter Victorian England they inhabit (e.g., instead of riding in pursuit of foxes, rich people go on gargoyle hunts). Simon is several steps ahead of everyone else as he solves ever more bizarre crimes; Emma, meanwhile, humanizes him by deflating his misanthropy. This volume collects the first five issues of the magazine, most of which is taken up by Simon and Emma's struggle against the enigmatic Miranda Cross, who is out to seize control of the city by dosing public officials with a mind-control drug. Though Simon and Emma solve mysteries in a series of self-contained episodes, most major plot threads are left dangling, to be woven into future installments. Emma, for instance, has superhuman powers that she carefully conceals, as does Miranda, although the latter behaves much more flamboyantly. The full-color art pencils by Butch Guice, inking by Mike Perkins, color by Laura DePuy is high-end representational illustration that's both technically polished and lovingly researched. But the real star here is Waid's droll but exciting scripts; he's certainly earned his Eisner nomination as Best Writer.
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