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Edith Pearlman has published over one hundred stories in national magazines, literary journals, anthologies, and on-line publications. Her first collection of stories, Vaquita, won the Drue Heinz Prize for Literature, and her second, Love Among The Greats, won the Spokane Annual Fiction Prize.Pearlman's short essays have appeared in the The Atlantic Monthly, The Smithsonian Magazine, Preservation Magazine, and Yankee. She is a New Englander by birth and preference.
In her third delicately eccentric collection of short stories, the underappreciated Pearlman (Vaquita; Love Among the Greats) pegs characters as diverse as a comedian's silent sidekick, a 17-year-old girl newly independent from her two mothers and a PBS anchor who bemoans after a makeover, "You're not attractive, you know—you only look attractive." More than half of the stories are set in Godolphin, a fictional Boston suburb where daily life is enacted in all its glorious monotony; several explore the mixed emotions roused by charity. In "The Large Lady," an uncomely representative of a fund-raising organization for starving kids manages to shake a gathering of suburban do-gooders from their complaisance, prompting one guest to reflect "Hell gapes for the merely empathic"; in "Rules," a dour mother and her home-schooled daughter rile the volunteers at a soup kitchen. Other stories revolve around twosomes: in "Home Schooling," twin sisters Willy and Harry share a non-traditional childhood; in "Signs of Life," Clara and Valerie have lived through the extraordinary and unimaginable, but consider themselves simply old and in love; in "Shenanigans" the elderly mothers of a dating couple meet and become friends: "They were each other's destiny, hinted the tall old Jewess. The tiny flower of Erin concurred." Pearlman's light touch and wry tone give the stories a pleasant buoyancy.
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