American Visa is beautifully written, atmospheric, and stylish in the manner of Chandler . . . a smart, exotic crime fiction offering.” George Pelecanos, author of The Night Gardener
"American Visa is a stunning literary achievement. It is insightful and poignant, a book every thoughtful American should read, and once read, read again." William Heffernan, Edgar Award-winning author of The Corsican
"In his search for an American visa, the high school teacher in this novel embodies the dreams and aspirations of many would-be immigrants south of the border. This is a thriller with a social conscience, a contemporary noir with lots of humor and flair. The streets of La Paz have never looked so alive. This is one of the best Latin American novels of the last fifteen years." Edmundo Paz-Soldan, author of Turing's Delirium
"Mario Alvarez is tremendous, an everyman desperate to escape Bolivia's despair who can't elude his own tricks of self-sabotage. At a time when the debate around U.S. immigration reduces many people around the world to caricatures, this singular and provocative portrait of the issue will connect with readers of all political stripes." Arthur Nersesian, author of Suicide Casanova
Armed with fake papers, a handful of gold nuggets, and a snazzy custom-made suit, an unemployed schoolteacher with a singular passion for detective fiction sets out from small-town Bolivia on a desperate quest for an American visa, his best hope for escaping his painful past and reuniting with his grown son in Miami.
Mario Alvarez's dream of emigration takes a tragicomic twist on the rough streets of La Paz, Bolivia's seat of government. Alvarez embarks on a series of Kafkaesque adventures, crossing paths with a colorful cast of hustlers, social outcasts, and crooked politicians and initiating a romance with a straight-shooting prostitute named Blanca. Spurred on by his detective fantasies and his own tribulations, he hatches a plan to rob a wealthy gold dealer, a decision that draws him into a web of high-society corruption but also brings him closer than ever to obtaining his ticket to paradise.
Juan de Recacoechea was born in La Paz, Bolivia, and worked as a journalist in Europe for almost twenty years. After returning to his native country, he helped found Bolivia's first state-run television network, served as its general manager, and dedicated himself to fiction writing. Recacoechea is the author of seven novels. American Visa is his first novel to be translated into English.
"synopsis" may belong to another edition of this title.
Juan de Recacoechea was born in La Paz, Bolivia, and worked as a journalist in Europe for almost twenty years. After returning to his native country, he helped found Bolivia's first state-run television network and dedicated himself to fiction writing. His novel American Visa won Bolivia's National Book Prize; was adapted into an award-winning film. Adrian Althoff is a freelance journalist and translator based in La Paz, Bolivia and Washington, D.C.
The narrator of this sweet noir (which won Bolivia's National Book Prize in 1994 and has been filmed) claims to have read Raymond Chandler, Chester Himes, Dashiell Hammett and Manuel Vázquez Montalbán "as if they were prophets," and their presiding spirits are not far from this winning tale. Mario Alvarez, an English teacher from the provinces of Bolivia, arrives at the zero star Hotel California in La Paz wearing his best suit and clutching a round-trip ticket to the U.S. sent to him by his son. He meets Blanca, a prostitute with cinnamon skin from the tropical part of Bolivia who "had within her the serenity of the great rivers that run through her homeland." Blanca falls for Mario and offers him a more realistic future than the vague promise made by his son, but Mario is obsessed with getting to the U.S. When it becomes clear the authorities will investigate his faked documents, Mario needs to "expedite" his visa problem. Coming up with the harebrained idea of robbing a gold buyer for bribe money, he proceeds to land himself in various inglorious situations. Recacoechea deploys his clichés knowingly and makes Alvarez's crime less a puzzle than an intriguing window onto a society on the fringes of globalization. (Apr.)
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