Selectively painting over much of a forgotten nineteenth-century book, Ruefle’s ninth publication brings new meaning to an old story. What remains visible is delicate poetry: artfully rendered, haunted by its former self, yet completely new. A high-quality replica of the original aged, delicate book in which Ruefle “erased” the text, this book will appeal to fans of poetry as well as visual art.
Mary Ruefle is the author of Madness, Rack, and Honey: Collected Lectures, a finalist for the 2012 National Book Critics Circle Award in criticism (Wave Books, 2012), and Selected Poems (Wave Books, 2010), winner of the William Carlos Williams Award. She has published ten other books of poetry, a book of prose (The Most of It, Wave Books, 2008), and a comic book, Go Home and Go to Bed!, (Pilot Books/Orange Table Comics, 2007); she is also an erasure artist, whose treatments of nineteenth century texts have been exhibited in museums and galleries, and include the publication of A Little White Shadow (Wave Books, 2006). Ruefle is the recipient of numerous honors, including an Award in Literature from the American Academy of Arts and Letters, a Guggenheim fellowship, a National Endowment for the Arts fellowship, and a Whiting Award. She lives in Bennington, Vermont, and teaches in the MFA program at Vermont College.
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Starred Review. Alongside her justly known poems, Ruefle (Tristimania, 2003) also crafts what she calls "erasures," found texts from which she has crossed out almost all the words, leaving only a tiny poem's worth per page; the latter make up this book. In this pocket-sized reproduction of a whited-out 19th-century volume, Ruefle etches haiku-like minifables, sideways aphorisms, and hauntingly perplexing koans ("the dead/ borrow so little from/ the past/ as if they were alive") from what must have been an unusual text to begin with (Ruefle borrows the book's original title). As much a statement about the act of reading as the act of writing, this is a strange and lovely work by a singular poet. (May 1)
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Seller: Thomas J. Joyce And Company, Chicago, IL, U.S.A.
Paperback. Condition: Fine. First Edition. 24mo,42 pages, cream wrappers A Little White Shadow (2006), her book of erasuresfound texts in which all but a few words have been erased from the pagereveals what Publishers Weekly, in a starred review, called "haiku-like minifables, sideways aphorisms, and hauntingly perplexing koans.". Seller Inventory # 26453
Seller: The Secret Bookshop, Tararua, New Zealand
Soft cover. Condition: Near Fine. 1st Edition. A very close to new copy. This book can travel letter rate and postage will be reduced. An experimental work of erasure poetry created by painting over most of the words in a nineteenth-century book and allowing only selected fragments of the original text to remain visible. Those surviving words form new, sparse poems that are often mysterious, playful and haunting. Presented as a reproduction of the aged original volume, the work sits between poetry and visual art, exploring absence, memory, silence and the way meaning can be transformed by removing rather than adding words. Seller Inventory # 053192
Quantity: 1 available
Seller: BennettBooksLtd, Los Angeles, CA, U.S.A.
paperback. Condition: New. In shrink wrap. Looks like an interesting title! Seller Inventory # Q-1933517034