"Equal parts punk rock and pastoral, Rohrer has] a voice that seems unearthly in its ability to be detached and simultaneously tender."-American Poet Approaching pleasure and terror with the same searching and determined curiosity, Rise Up traverses political, natural, and domestic landscapes with gentle agility. Beautifully crafted surfaces give way to sincere depth.Matthew Rohrer is the author of four poetry collections, including A Green Light (2004, shortlisted for the Griffin Prize), Satellite, and A Hummock in the Malookas. He has appeared on NPR's All Things Considered and The Next Big Thing.
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Matthew Rohrer is the author of Destroyer and Preserver, A Plate of Chicken, Rise Up, Satellite, and A Green Light, which was shortlisted for the 2005 Griffin Poetry Prize. He is also co-author of Nice Hat. Thanks. with Joshua Beckman, with whom he has participated in performances at the Museum of Modern Art in New York City and the Henry Art Gallery in Seattle. He received the Pushcart Prize and his first book, A Hummock in the Malookas, was selected for the National Poetry Series by Mary Oliver. He lives in Brooklyn, New York, and teaches at New York University.
Hip, humorous, ironic, winking and deceptively footloose, the 17 stylish poems and sequences of Rohrer's fifth collection take a skewed look at the politics and passages of contemporary life. Written in jagged columns, these free verse poems weave their way in and out of public and personal spheres, always careful—sometimes overly so—to keep the reader at a playful distance. Surreal details ("Money burrows/ its way to the very core/ of the Earth") meet political protestations ("In the president's dream... / .../ I do not kill him./ Even in his own dream I do not shake his hand") in poems that take a fittingly indignant stance on an era when so much is wrong that it seems difficult to pinpoint anything. Rohrer (A Green Light) is also capable of great tenderness: "You were so sad: goodbye: I was so sad." The book also maintains an abiding fascination with 19th-century poets, with references to Claire, Shelley and Coleridge, among others ("I think I hear one of Keats' short poems"), who hang in the background of Rohrer's laid-back romanticism. There's a certain slacker mentality to these poems, which is both off-putting and appealing. Whatever one thinks, these poems are often startlingly accurate representations of their times. (Apr.)
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