Set in a spaced-out future in which all cities have been evacuated after an "Emergency," FLET is named for its female protagonist, an Administration flunky who begins to suspect that the Emergency may be a tool of sociopolitical oppression. An elegant entry in speculative fiction, Flet finds McSweeney slowing her distinctively hyperactive imagination down to the speed of narrative.
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Joyelle McSweeney earned her BA from Harvard and holds an MPhil in English Studies from Oxford University, where she studied as a Marshall Scholar. She received her MFA from the University of Iowa Writers’ Workshop. Brief reviews of hers have appeared in The Boston Review. She is a Professor in the Creative Writing Department at Notre Dame University.
Poet McSweeney (The Commandrine and Other Poems) enters the realm of speculative fiction with this debut novel, with spotty success. Years after E-Day—a bioterrorist version of 9/11, aimed at what survivors now remember as Old Capitol—a new version of the U.S. has reconstituted itself along familiar near-future lines: fake food, curtailed travel and Internet, government-controlled TV. The heroine, Flet, is a top aide to Sub-Secretary Lonnie Otis, a mid-level bureaucrat and icy Hillary Clinton type. Flet cherishes a few trinkets left behind by the decontaminators, junky fossils of a life before everything became dirty, and finds diversion with Mick, a reality TV filetape editor contracted to the government's Education Media. In the days leading up to a memorial Re-Enactment, Flet comes to believe that the government has distorted the real events of the emergency, and that Otis is an agent of the coverup. The Devil Wears Prada elements of the setup make for some workplace sparks, and the 9/11 parallels are nicely turned. McSweeney's descriptive writing can be precise and energetic, and the dialogue of her young people amusing and real. But the narrative, chopped into short, titled chapters, is too often freighted with impressionistic passages that defy understanding.
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