"I finished this book with my heart pounding and grateful, my coffee cold and my smile wide and crying like a baby."—Daniel Handler
The characters in Praying Drunk speak in tongues, torture their classmates, fall in love, hunt for immortality, abandon their children, keep machetes beneath passenger seats, and collect porcelain figurines. A man crushes pills on the bathroom counter while his son watches from the hallway; missionaries clumsily navigate an uprising with barbed wire and broken glass; a boy disparages memorized scripture, facedown on the asphalt, as he fails to fend off his bully. From Kentucky to Florida to Haiti, these seemingly disparate lives are woven together within a series of nested repetitions, enacting the struggle to remain physically and spiritually alive throughout the untamable turbulence of their worlds. In a masterful blend of fiction, autobiography, and surrealism, Kyle Minor shows us that the space between fearlessness and terror is often very small. Long before Praying Drunk reaches its plaintive, pitch-perfect end, Minor establishes himself again and again as one of the most talented younger writers in America.
"synopsis" may belong to another edition of this title.
Minor’s first book of short fiction, In the Devil’s Territory (2008), introduced a talented writer with a penchant for experimental repetition and extraordinary vision, whose characters struggle to contain or divulge the dark secrets faith and family conceal. This well-honed second book consists of a series of linked narratives dealing again with questions of religion and kin, spanning Kentucky, Florida, and Haiti. The book deserves to be read sequentially, not because it’s arranged in chronological order but because characters and conceits recur, eventually coalescing into heartrending closure. In one instance, Minor tells the story of a son’s suicide from multiple perspectives, spinning off seemingly peripheral characters, only to take up alternate points of view in subsequent stories. Elsewhere, a rational young man questions his romantic interest’s spiritual awakenings, which include speaking in tongues and dangerous visions. Minor writes with the descriptive clarity of Denis Johnson, the jigsaw-like structuring of Sherwood Anderson, and the Appalachian acuity of Jayne Anne Phillips. Certainly one to read and enjoy and to watch for in the future. --Diego Báez
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