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Ofili, Chris Chris Ofili: Paradise Lost ISBN 13: 9781941701829

Chris Ofili: Paradise Lost - Softcover

 
9781941701829: Chris Ofili: Paradise Lost
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In 2017, Chris Ofili photographed chain-link fences throughout the island of Trinidad in order to explore notions of beauty, community, liberation, and constraint. This series of arresting images—“pocket photography,” as described by the artist—is the first body of photography ever published by Ofili. Through these entrancing black-and-white photographs, the artist engages with the diverse sources that inspired his critically acclaimed Paradise Lost exhibition at David Zwirner, New York in the fall of 2017. Since moving to Trinidad in 2005, Ofili has continued to engage with the surrounding environment and culture, which has found its way into many of his colorful paintings. In these deceivingly simple black-and-white photographs, he captures a wide cross section of Trinidad as he highlights the encounter between natural and man-made settings, and the different aesthetic possibilities each brings out in the other. In focusing on a ubiquitous and seemingly unremarkable piece of equipment, Ofili is able to comment on our interactions with space and each other, using a near-universal subject as the fence slices the sky, melds into a tree, frames a basketball game, or reveals an opening. In a new essay by the critically acclaimed author of Island People: The Caribbean and the World (2016), Joshua Jelly-Schapiro charts the history of chain-link fences; focusing on a selection of Ofili’s photographs, he then begins to explore what this imagery tells us about Trinidad in particular and the Caribbean as a whole. These two essays—one visual, the other literary—open onto a whole new set of interpretive possibilities for this groundbreaking artist.

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About the Author:
Chris Ofili creates intricate, kaleidoscopic paintings and works on paper that deftly merge abstraction and figuration. Ofili rose to prominence in the 1990s for his complex and playful multi-layered paintings, which he bedecked with a signature blend of resin, glitter, collage, and, often, elephant dung. His recent works--vibrant, symbolic, and frequently mysterious--draw upon the lush landscapes and local traditions of the island of Trinidad, where he has lived since 2005. Employing a diverse range of aesthetic and cultural sources, including, among others, Zimbabwean cave paintings, blaxploitation films, Italian soccer player Mario Balotelli, and modernist painting, Ofili's work investigates the intersection of passion, identity, and representation.

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  • PublisherDavid Zwirner Books
  • Publication date2018
  • ISBN 10 1941701825
  • ISBN 13 9781941701829
  • BindingPaperback
  • Number of pages96

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Book Description Paperback. Condition: new. Paperback. In 2017, Chris Ofili photographed chain-link fences throughout the island of Trinidad in order to explore notions of beauty, community, liberation, and constraint. This series of arresting images-"pocket photography," as described by the artist-is the first body of photography ever published by Ofili. Through these entrancing black-and-white photographs, the artist engages with the diverse sources that inspired his critically acclaimed Paradise Lost exhibition at David Zwirner, New York in the fall of 2017.Since moving to Trinidad in 2005, Ofili has continued to engage with the surrounding environment and culture, which has found its way into many of his colorful paintings. In these deceivingly simple black-and- white photographs, he captures a wide cross section of Trinidad as he highlights the encounter between natural and man-made settings, and the different aesthetic possibilities each brings out in the other. In focusing on a ubiquitous and seemingly unremarkable piece of equipment, Ofili is able to comment on our interactions with space and each other, using a near- universal subject as the fence slices the sky, melds into a tree, frames a basketball game, or reveals an opening.In a new essay by the critically acclaimed author of Island People: The Caribbean and the World (2016), Joshua Jelly-Schapiro charts the history of chain-link fences; focusing on a selection of Ofili's photographs, he then begins to explore what this imagery tells us about Trinidad in particular and the Caribbean as a whole. These two essays-one visual, the other literary-open onto a whole new set of interpretive possibilities for this groundbreaking artist. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781941701829

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