A self-taught photographer from the northeastern coast of England, Berlin-based Saul Fletcher (born 1967) has been working for more than two decades to create images of fragmented bodies, found-object assemblages and (most famously) the artist’s own studio wall. Neither staged nor real, neither fast-moving nor static, neither intimate nor detached, Fletcher’s images create distinct ruptures in everyday temporalities. This substantial volume reproduces more than 300 photographs, alongside essays by Ralph Rugoff and Kirsty Bell that touch on the haunting feeling produced by Fletcher’s imagery.
Fletcher’s work has been exhibited at the Atlanta Contemporary Art Center, the Hessel Museum of Art in Annandale-on-Hudson, the Rose Art Museum at Brandeis University, Tate Modern in London and the Carnegie Museum of Art in Pittsburgh.
"synopsis" may belong to another edition of this title.
‘Reading’ [Fletcher's] work in book form at this intimate scale heightens the narrative, literary, and poetic quality of his photographic assemblages. (Nick Bennett Brooklyn Rail)
"About this title" may belong to another edition of this title.
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Hardcover. Condition: Used - Like New. A self-taught photographer from the northeastern coast of England, Berlin-based Saul Fletcher (born 1967) has been working for more than two decades to create images of fragmented bodies, found-object assemblages and (most famously) the artist's own studio wall. Neither staged nor real, neither fast-moving nor static, neither intimate nor detached, Fletcher's images create distinct ruptures in everyday temporalities. This substantial volume reproduces more than 300 photographs, alongside essays by Ralph Rugoff and Kirsty Bell that touch on the haunting feeling produced by Fletcher's imagery.Fletcher's work has been exhibited at the Atlanta Contemporary Art Center, the Hessel Museum of Art in Annandale-on-Hudson, the Rose Art Museum at Brandeis University, Tate Modern in London and the Carnegie Museum of Art in Pittsburgh. BEAUTIFUL COPY!!! Seller Inventory # 333618
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. Seller Inventory # M1941753221Z3
Seller: Optimon Books, Gravesend, KENT, United Kingdom
Hardcover. Condition: Good. A self-taught photographer from the northeastern coast of England, Berlin-based Saul Fletcher (born 1967) has been working for more than two decades to create images of fragmented bodies, found-object assemblages and (most famously) the artist's own studio wall. Neither staged nor real, neither fast-moving nor static, neither intimate nor detached, Fletcher's images create distinct ruptures in everyday temporalities. This substantial volume reproduces more than 300 photographs, alongside essays by Ralph Rugoff and Kirsty Bell that touch on the haunting feeling produced by Fletcher's imagery.Fletcher's work has been exhibited at the Atlanta Contemporary Art Center, the Hessel Museum of Art in Annandale-on-Hudson, the Rose Art Museum at Brandeis University, Tate Modern in London and the Carnegie Museum of Art in Pittsburgh. Copyright © Inventory Press LLC. Seller Inventory # 462174
Quantity: 1 available
Seller: Mispah books, Redhill, SURRE, United Kingdom
hardcover. Condition: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book. Seller Inventory # ERICA82919417532213
Quantity: 1 available
Seller: Zeitgeist Books, Middlesex, United Kingdom
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. A self-taught photographer from the northeastern coast of England, Berlin-based Saul Fletcher (born 1967) has been working for more than two decades to create images of fragmented bodies, found-object assemblages and (most famously) the artist's own studio wall. Neither staged nor real, neither fast-moving nor static, neither intimate nor detached, Fletcher's images create distinct ruptures in everyday temporalities. This substantial volume reproduces more than 300 photographs, alongside essays by Ralph Rugoff and Kirsty Bell that touch on the haunting feeling produced by Fletcher's imagery - fitted with a removable, clear mylar sleeve - All my books are always securely packed with plenty of bubblewrap in professional boxes and promptly dispatched (within 2-3 days) - SIGNED BY SAUL FLETCHER - Pictures available upon request. Signed by Author(s). Seller Inventory # 010459
Quantity: 1 available