WHAT IS BELIEF? What is it to believe in something, anything? And how far are you willing to go for that belief? Atlanta Police Detective Jonathan Wind believes in truth, but otherwise he doesn t normally have time for questions like these; he has crimes to solve and killers to catch. But this case is different. This case will challenge everything he s ever thought or known. It s also personal. It s 2003 in Atlanta, and the jewel of the Southeastern United States is sprawling far and wide with new industry and burgeoning markets. The city is at once a remnant of the Old South and an international cosmopolis. However, in And Wind Will Wash Away Atlanta isn t just a setting, she is practically a character herself, a complicated character with many layers, layers that most people traverse every day but barely notice. Jordan A. Rothacker s thrilling first novel follows Detective Wind as he peels back the layers of his beloved city, pursuing the truth behind the strange death of his mistress, Flora Ross. This pursuit leads him ever deeper into a world of sex workers, goddess worshippers, Aztec revival cults, blood sacrifices, and spontaneous human combustion. Rothacker s book takes readers into the religious underbelly of Atlanta, yet is essentially a story of people and the ways in which they struggle to relate to one another and to the world in which they live. Part mystery, part police procedural, part theological treatise, and part love story, And Wind Will Wash Away is a debut novel like no other.
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Jordan A. Rothacker lives in Athens, GA where he earned a Doctorate in Comparative Literature and a Masters in Religion from the University of Georgia. Rothacker majored in Philosophy at Manhattanville College in Purchase, NY, and his life has been split between New York (where he was born) and Georgia. His journalism has appeared in periodicals as diverse as Vegetarian Times and International Wristwatch while his fiction, poetry, and essays can be found in the likes of Red River Review, Dark Matter, Dead Flowers, Stone Highway Review, Mayday Magazine, As It Ought to Be, and The Exquisite Corpse. 2015 saw his first published book-length work, The Pit, and No Other Stories, a novella (or micro-epic as he calls it) from Black Hill Press. His fiction can also be found in The Cost of Paper: II (2015) and The Cost of Paper: III (2016), anthologies from Black Hill Press edited by William M. Brandon III. He loves sandwiches (a category in which he classifies pizza and tacos) and debating taxonomy almost as much as much as he loves his wife, his dogs, and his cat, Whiskey.
An Atlanta detective, hoping to explain his mistress’s fiery death, dives into a world rife with strange religious beliefs in Rothacker’s (The Pit, and No Other Stories, 2015, etc.) unconventional thriller. Police Detective Sgt. Jonathan Wind keeps his relationship with prostitute Flora Ross a secret from everyone, including his girlfriend, Monica. So he says nothing when he recognizes a crime scene: it’s Flora’s apartment, including what appear to be her charred remains. The fire seems to have been concentrated on her body, damaging little else, so Wind’s partner, Detective Sonny Ledbetter, suggests spontaneous combustion as the cause. The detectives first question psychic Tia Maite, whom Flora saw weekly, but once it’s clear that the investigation’s going nowhere, Sonny closes the case by marking the death as accidental. Wind, however, was in love with Flora and is determined to learn more about her “spiritual pursuits”—a part of her life she kept private. He cashes in his vacation days and initiates an unofficial inquiry. After he meets Flora’s friends and interacts with a group of Goddess worshippers, he ultimately examines his own views on various religions, identifying himself as an agnostic. He also becomes sure that a Goethe-quoting albino dwarf had something to do with Flora’s demise, which is seemingly confirmed when two other men accost Wind while citing Goethe passages. Answers may finally lie within a bizarre ritual—but not necessarily the answers Wind wants. Although a traditional detective story provides the foundation of this novel’s plot, the author zeroes in on his protagonist’s inner conflict. There’s a great deal of philosophizing, including a nearly 20-page dialogue on such subjects as philosopher Immanuel Kant and theism’s limitations. Wind, though, has many nuances, and his collection of myriad Pez dispensers (all of historical figures) sometimes sparks discourse or, in one case, flashbacks. Rothacker’s prose meticulously details the action and environment with typically exquisite results: “a solid one-story brick house...corresponded to a darker, ink-rendered version beneath the pen of Jonathan Wind.” Metaphors of fire and wind are in abundance in this story, which is more concerned with understanding than resolution. Readers may be disappointed by the ending, though, which eschews a nice, clean wrap-up and fully embraces lingering doubt. A penetrating, provocative tale of a detective who psychoanalyzes as often as he investigates.
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