"It’s hard to overstate the importance of this gorgeous, harrowing, heartbreaking book, which tackles sexual violence and its aftermath while also articulating the singular pain of knowing ― or loving, or caring for, or having a history with ― one’s rapist. Vanasco is whip-smart and tender, open and ruthless; she is the perfect guide through the minefield of her trauma, and ours." ―Carmen Maria Machado in Bustle
A Most Anticipated Book of Fall at Time, NYLON, Bustle, Pacific Standard, The Millions, Publishers Weekly, Chicago Tribune and more!
Jeannie Vanasco has had the same nightmare since she was a teenager. She startles awake, saying his name. It is always about him: one of her closest high school friends, a boy named Mark. A boy who raped her.
When her nightmares worsen, Jeannie decides―after fourteen years of silence―to reach out to Mark. He agrees to talk on the record and meet in person. "It's the least I can do," he says.
Jeannie details her friendship with Mark before and after the assault, asking the brave and urgent question: Is it possible for a good person to commit a terrible act? Jeannie interviews Mark, exploring how rape has impacted his life as well as her own. She examines the language surrounding sexual assault and pushes against its confines, contributing to and deepening the #MeToo discussion.
Exacting and courageous, Things We Didn't Talk About When I Was a Girl is part memoir, part true crime record, and part testament to the strength of female friendships―a recounting and reckoning that will inspire us to ask harder questions and interrogate our biases. Jeannie Vanasco examines and dismantles long-held myths of victimhood, discovering grace and power in this genre-bending investigation into the trauma of sexual violence.
"synopsis" may belong to another edition of this title.
Jeannie Vanasco is the author of The Glass Eye: A Memoir (Tin House Books, 2017). Her work has appeared in The Believer, the New York Times Modern Love, Tin House, and elsewhere. She lives in Baltimore and is an assistant professor at Towson University.
“Vanasco's second memoir sets the canon of #MeToo-era creative nonfiction on fire: she interviews her rapist. ... This is a slow-burning, reverberating meditation on the nuances of morality, masculinity, and punishment. ... Inimitable. (Starred Review)”
- Booklist
“Vanasco invites her readers to understand the complicated humanity involved in both causing and experiencing harm, leaving the limits and possibilities of accountability and healing as urgent, open questions. An extraordinarily brave work of self- and cultural reflection. (Starred Review)”
- Kirkus Reviews
“Vanasco gets at so many of the gray areas in our conversations about rape and the rehabilitation of its perpetrators. If some traumas don't fit into neat little narratives, then the pleasure of reading Vanasco is in knowing that messiness is OK, that there's no right way to handle such betrayals.”
- Maris Kreizman, Pacific Standard
“A firecracker of a book.”
- Bustle
“Thought-provoking, unmooring, and haunting.”
- NYLON
“Clearly this is an important and timely book. Even in a world that can seem brimming with stories similar to Vanasco’s, hers stands out . . . heartfelt, painful, and essential.”
- Shelf Awareness
“Jeannie Vanasco has written exactly the book we need right now. I wish everyone in this country would read it.”
- Melissa Febos, author of ABANDON ME
“Vanasco performs a literary feminist miracle for all women who have been denied basic rights, been suspect, been labeled, been unbelievable after their rapes and assaults, and shines our collective shame outwardly, to ask a man why a choice to abuse is made.”
- Sophia Shalmiyev, author of MOTHER WINTER
“Vanasco is a brilliant craftsperson―blurring the lines between memoir, investigation, and interview, she confronts her years-ago rapist and dives headlong into the complexity of forgiveness and redemption, what was taken and what can be rebuilt. Our cultural discussion of rape is so deeply marked by silence. Enough with the silence. Enough. Vanasco has given us a bridge.”
- Megan Stielstra, author of THE WRONG WAY TO SAVE YOUR LIFE
“Carrying memories of rape sometimes feels like working, day in and day out, on untangling a hopelessly knotted chain. In this book, Jeannie Vanasco works through the gnarl until its terrifying expanse is stretched out before us. There is so much power in these pages: in the vulnerability she shows in seeking answers, in the deftness with which she builds a narrative where there was once only a mess of questions and silence.”
- Elissa Washuta, author of STARVATION MODE
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