A servant and former slave is accused of murdering her employer and his wife in this astonishing historical thriller that moves from a Jamaican sugar plantation to the fetid streets of Georgian London--a remarkable literary debut with echoes of Alias Grace, The Underground Railroad, and The Paying Guests.
All of London is abuzz with the scandalous case of Frannie Langton, accused of the brutal double murder of her employers, renowned scientist George Benham and his eccentric French wife, Marguerite. Crowds pack the courtroom, eagerly following every twist, while the newspapers print lurid theories about the killings and the mysterious woman being held in the Old Bailey.
The testimonies against Frannie are damning. She is a seductress, a witch, a master manipulator, a whore.
But Frannie claims she cannot recall what happened that fateful evening, even if remembering could save her life. She doesn't know how she came to be covered in the victims' blood. But she does have a tale to tell: a story of her childhood on a Jamaican plantation, her apprenticeship under a debauched scientist who stretched all bounds of ethics, and the events that brought her into the Benhams' London home--and into a passionate and forbidden relationship.
Though her testimony may seal her conviction, the truth will unmask the perpetrators of crimes far beyond murder and indict the whole of English society itself.
The Confessions of Frannie Langton is a breathtaking debut: a murder mystery that travels across the Atlantic and through the darkest channels of history. A brilliant, searing depiction of race, class, and oppression that penetrates the skin and sears the soul, it is the story of a woman of her own making in a world that would see her unmade.
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Sara Collins is of Jamaican descent and worked as a lawyer for seventeen years in Cayman, before admitting that what she really wanted to do was write novels. She studied Creative Writing at Cambridge University, winning the 2015 Michael Holroyd Prize, and began to write a book inspired by the idea of 'writing a Gothic novel where the heroine looked like me'. This turned into her first novel, The Confessions of Frannie Langton.
"By turns lush, gritty, wry, gothic, and compulsive, The Confessions of Frannie Langton is a dazzling page-turner. With as much psychological savvy as righteous wrath, Sara Collins twists together the slave narrative, bildungsroman, love story, and crime novel to make something new."
-- "Emma Donoghue, New York Times bestselling author""There's betrayal, depravity, pseudoscience, forbidden love, drug addiction, white supremacy, and, oh yes, a murder mystery with tightly wound knots to unravel...A heroine but as dynamic and compelling as any character conceived by a Brontë sister...[A] gripping, groundbreaking debut."
-- "Kirkus Reviews (starred review)""Destined to become a benchmark for historical fiction, The Confessions of Frannie Langton is at once fiercely raw and remorselessly beautiful."
-- "Lyndsay Faye, author of The Gods of Gotham""A powerful portrayal of the horrors of slavery and the injustices of British society's treatment of former slaves in the early 1800s...Both a highly suspenseful murder mystery and a vivid historical novel, but best of all is the depiction of Frannie, a complex and unforgettable protagonist. This is a great book sure to find a wide--and deserved--audience."
-- "Publishers Weekly (starred review)""A heady, gothic, mad-scientist, bildungsroman, lesbian, feminist portrait of a marriage; slave narrative; and upstairs-downstairs murder-mystery and courtroom-drama smoothie. Fans of any of these elements will be drawn to this absorbing novel of a woman boxed in by geography, chronology, gender, and the color of her skin."
-- "Booklist""About this title" may belong to another edition of this title.
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