Revised to include every card in the rare series, this 3-D cult classic provides a unique satirical look at an 1860s view of Hell the French state under the tyrannical rule of Napoleon III.
Thanks to Dr. Brian May's imagination and his determination to share the wonders of these strange cards, thousands of readers have escaped the boundary of Earthly tedium!Diableriestransports them to a nightmarish netherworld inhabited by devils and skeletons in the nicest possible way, of course!The amazing 3-D cards show scenes of torture, fire, and every variety of licentious behavior, with scantily clad ladies of the demi-monde and the devil himself encouraging the participants worst intentions. After five years of searching, Dr. Brian May and his coauthors were able to find the one card, entitled La Cuve or The Barrel, missing from the initial publication of the book.
These remarkable scenes were initially sculpted in clay, mostly by two leading French sculptors, Pierre Hennetier and Louis Habert, who daringly satirized Napoleon and his cohorts at great personal risk. These extremely detailed scenes, that allegorically critiqued daily events in a France where news was censored, were created and then photographed with a stereo camera to be viewed with a stereoscope. Their unique construction causes the demons eyes to glow to held to the light.
"synopsis" may belong to another edition of this title.
Brian May, CBE, PhD, FRAS is a founding member of Queen, a world-renowned guitarist, songwriter, producer and performer. Brian postponed a career in astronomy when Queen's popularity first exploded, but after an incendiary 30 years as a rock musician, returned to astrophysics in 2006, when he completed his PhD and coauthored his first book, Bang! The Complete History of the Universe , with Patrick Moore and Chris Lintott. Stereoscopy has been a life-long passion, and his second book, A Village Lost and Found , written with Elena Vidal, introduced the genius of Victorian stereo photographer T. R. Williams to a global audience.
Denis Pellerin , dedicated photo historian, was a teacher for over 30 years and has been interested in photography since the age of ten. He was bitten by the stereo bug in the 1980s, has been fascinated by the, Diableries for over 25 years and has written several books and articles on 19th-century stereo photography for various magazines, institutions and museums. He graduated as an MA in Art History at the Sorbonne in 1999 and has since been specializing in French and British Victorian genre stereo views. He is also currently working on his PhD.
Paula Richardson Fleming is a photographic historian with a special interest in stereo photography. She is the retired Photo Archivist of the Smithsonian Institution National Anthropological Archives, and a Fellow and former member of the Board of Directors of the National Stereoscopic Association. Her credits include publications on 19th-century photography, as well as the curation of many photographic exhibits. Her association with Brian and Denis came naturally from their mutual appreciation of theDiableries.
"About this title" may belong to another edition of this title.
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Hardcover. Condition: new. Hardcover. Revised to include every card in the rare series, this 3-D cult classic provides a unique satirical look at an 1860s view of Hell -- the French state under the tyrannical rule of Napoleon III. Thanks to Dr. Brian May's imagination and his determination to share the wonders of these strange cards, thousands of readers have escaped the boundary of Earthly tedium! Diableries transports them to a nightmarish netherworld inhabited by devils and skeletons in the nicest possible way, of course! The amazing 3-D cards show scenes of torture, fire, and every variety of licentious behavior, with scantily clad ladies of the demi-monde and the devil himself encouraging the participants' worst intentions. After five years of searching, Dr. Brian May and his coauthors were able to find the one card, entitled La Cuve or The Barrel, missing from the initial publication of the book. These remarkable scenes were initially sculpted in clay, mostly by two leading French sculptors, Pierre Hennetier and Louis Habert, who daringly satirized Napoleon and his cohorts at great personal risk. These extremely detailed scenes, that allegorically critiqued daily events in a France where news was censored, were created and then photographed with a stereo camera to be viewed with a stereoscope. Their unique construction causes the demons' eyes to glow when held to the light. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781999667436
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