Items related to Discours de Suède
Speeches: The speech in Stockholm For delivery of the Nobel Camus exposes his ideas about art and the role of the writer: "Art is not a joy for me alone. It is a way to move the greatest number of men ... "The artist is thus virtually compelled to open the world to share joys, sorrows and struggles with his contemporaries, and to create isolation. He is caught in this back and forth hard for him to manage, as Jonah was more and more difficult to paint, unable to resist all the thieves of time. It is well positioned "midway of beauty which he can not do without and the community to which he can not tear. " The speech of Upsala The theme of the second speech is to address the role of art in society of his time and the relationship between art and society, a topic that will generate highly risky in the question and answer exchange ' muscular 'with a young Algerian nationalist which earned him a replica against him long. For him, time artists 'irresponsible', which create their own bubble, cut off from society, no longer valid. While in some ways, we can regret it like that and ultimately it is a chance for them to become more accountable and authentic. For says he, "the freedom of art is not worth much when it has no other meaning than the comfort of the artist. " Quite the dilemma of the artist to be virtually the same time integrated into the world outside, or as Camus said, "solitary and solidarity. "
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About the Author:
Albert Camuswas born in Algeria in 1913. During World War II, he joined the Resistance movement in Paris, then became editor-in-chief of the newspaper Combat during the Liberation. A novelist, playwright, and essayist, he is most famous for his novels The Stranger and The Plague. He was awarded the Nobel Prize for Literature in 1957.
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- PublisherGALLIMARD
- Publication date1958
- ISBN 10 2070212165
- ISBN 13 9782070212163
- BindingPaperback
- Number of pages80
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discours de Suède
Published by
GALLIMARD
(1958)
ISBN 10: 2070212165
ISBN 13: 9782070212163
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Book Description Paperback. Condition: NEUF. "On aura peut-être été un peu surpris de voir dans ces discours l'accent porté par Camus sur la défense de l'art et la liberté de l'artiste - en même temps que sur la solidarité qui s'impose à lui. Cela faisait certes partie de ce que lui dictaient les circonstances et le milieu où il devait les prononcer, mais il est certain que Camus se sentait accablé par une situation où, selon ses propres paroles, le silence même prend un sens redoutable. À partir du moment où l'abstention elle-même est considérée comme un choix, puni ou loué comme tel, l'artiste, qu'il le veuille ou non, est embarqué. Embarqué me paraît ici plus juste qu'engagé. Et malgré une certaine éloquence - qu'on lui reprochait également - il se sentait profondément concerné et douloureusement atteint par un conflit qui le touchait jusque dans sa chair et dans ses affections les plus enracinées." Carl Gustav Bjurstrom. - Nombre de page(s) : 80 - Poids : 90g - Genre : Lettres et linguistique Critiques et Essais BLANCHE. Seller Inventory # N9782070212163
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