Avec Le Jeu de la feuillee, Adam de la Halle invente le theatre de la lucidite qui refuse les prestiges et les alibis de la literature courtoise, les mythes et les ideaux du passé. Cette piece tres subtile, d'une deroutante richesse, est une experience de theatre total, greffe sur la fete populaire du carnival, de theatre de la rue sans scene ni sale, ou les acteurs sortent du public pour jouer leur role et, leur tirade achevee, rejoignent les spectateurs. Dans ce pyschodrame, qui est la matrice du theatre comique medieval, les personnages et lauteur lui-meme jouent des scenes de leur vie quotidienne, cherchant a exorciser les fantasmes d'une cite qui s'interroge sur elle-meme. With the play of the La Feuillee bridge, Adam de la Halle invented the theater of the lucidity which refuses the prestige and the alibis of the literature courteous, the myths and the ideals of the past. This part very subtle, a confusing wealth, is an experience of total theater, registry on the popular fete of the carnival, theater of the street scene without or dirty, or the actors come out of the public to play their role, and their tirade completed, join the spectators. In this pyschodrame, which is the matrix of the theater comique medieval, the characters and the author himself play scenes of their daily life, seeking to exorcise the fantasies of a city which is interrogated on itself.
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