Ayant vcu au coeur du sicle des Lumires et, par sa longue vie, abord aux premires annes du romantisme continental, Joseph Haydn (gnralement occult entre l'austrit de Bach et le pathtique que l'on attribue Mozart) semble l'incarnation idale d'un artiste qui, attentif aux fivres de son sicle, sur les incorporer son art, sans dmonstration ni pose.Plus littraire que musicologique, le prsent livre, rparti selon une vingtaine de thmes thiques ou esthtiques, offre une mise en perspective du sicle entier du point de vue de Haydn. Ce dernier surgit, ds lors, comme l'un des esprits majeurs et les plus agissants de son poque, comme une des plus videntes mesures de son sicle. Ainsi se trouvent rvalus, en fonction d'une oeuvre constamment exemplaire, aussi bien la vie de cour que la survivance de la foi, le sens des voyages ou du professorat, l'influence de la maonnerie et les mirages de la Rvolution franaise, sans ngliger l'volution du chant ni celle de l'dition, l'ensemble mettant constamment en valeur la dimension avant tout europenne d'un compositeur pleinement conscient d'tre clbr de Cadix Londres, de Naples Saint-Ptersbourg.Marcel Marnat n en 1933, auteur d'ouvrages sur Moussorgsky, Michel-Ange, Vivaldi, fut, de 1978 1992, l'un des responsables des programmes de France-Musique. Il a publi depuis un recueil de souvenirs o Manuel Rosenthal raconte Ravel, ainsi qu'un essai sur Stravinsky.
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