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Teran's book manages to combine a sure sense of the dynamics of the thriller genre with a convincing examination of the darker legacies of the sixties. Charles Manson and the Tate-LaBianca murders are obvious reference points for the Left-Handed Path and its conjunction of satanic obsession, drugs, and philosophies of amorality, and Cyrus is a frightening articulation of the dark, negative energies of that decade's fallout:
It was there, in that trailer...that [Cyrus] found the true architect of the modern world...Where he found the only son of man--and he wasn't some jerk-off named Jesus. He was the architect who allowed for the zero-sum game with all its depravities. Who found beauty in blood, a christening through ultimate chaos. Who understood it was better to reign in some perilous extreme than to serve a life sentence of propriety out of fear.A vertigo-inducing descent into the diseased underbelly of American culture, Boston Teran's first novel is a powerful, accomplished thriller. The author's evocation of a subculture of evil and depravity is disturbingly plausible in its exploration of cult activity, and of the mindsets of those for whom ethics and conventional morality are just a sham--and normal people just "sheep" to be slaughtered. --Burhan Tufail
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