The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590-1608) (Pictura Nova, 22) - Hardcover
Synopsis
The idea to prepare a catalogue of all the drawings by Peter Paul Rubens goes back to the 1970s, when Professors R.-A. d'Hulst and E. Haverkamp-Begemann decided to join forces in this endeavor. The drawings would be assembled chronologically rather than by themes as was the goal in the Corpus Rubenianum Ludwig Burchard series. My task was to begin gathering the necessary information und build up the catalogue. The project has now come to completion and will be published in the Pictura Nova series as volume XX. Envisioned are three separate volumes divided chronologically. All the drawings and corresponding paintings or oil sketches will be reproduced in color. Volume I begins with the copies by the thirteen-year old Rubens drawn in Antwerp, c. 1590, until the end of his sojourn in Italy as a twenty-three year old in October 1608, when he returns to Antwerp. Of the many copies after the Antique only the Rubens drawings that are still known will be discussed. For the lost ones the CRLB volume by Marjon van der Meulen Schregardus of 1994 should be consulted. Volume II discusses Rubens's major Antwerp altarpieces of 1610-14, the Costume Book, the Title-pages, Portraits and Hunts, and ends with the decorations for the Antwerp Jesuit church St. Charles Borromaeus in 1620. Volume III starts with the Medici cycle, the Gem book, Landscapes and ends with Rubens's large portrait with Helena Fourment and their young child, the Kermesse and the Garden of Love. Volume IV will include Addenda, Indices, and the sizeable number of rejected attributions to Rubens. Not included will be the retouched drawings that were so thoroughly discussed by Kristin Lohse Belkin in her Corpus Rubenianum volumes in 2009 and by Jeremy Wood in his Corpus Rubenianum volumes in 2010-11. Rubens's Theoretical Notebook, destroyed in a fire in 1720, will only be discussed briefly with regard to the few sheets that have survived. The subject is being discussed fully in a separate Corpus volume by Arnout Balis. The present catalogue raisonné is to be understood as an overview of Rubens's drawings that is very much indebted to the Corpus Rubenianum Ludwig Burchard volumes and complements them. The present publication also owes much to the two earlier catalogues on Rubens's drawings by Ludwig Burchard and Roger-A. d'Hulst (1956 and 1963) and by Julius S. Held (1959 and 1986). Further valuable additions to the knowledge of Rubens as a draftsman were published by Justus M|ller Hofstede and Michael Jaffé.
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Drawings of Peter Paul Rubens. A Critical Catalogue. Volume One / 1590-1608
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The Drawings of Peter Paul Rubens. a Critical Catalogue. Volume One / 1590-1608: Vol 1
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Drawings of Peter Paul Rubens : A Critical Catalogue: 1590-1608
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The Drawings of Peter Paul Rubens. a Critical Catalogue. Volume One / 1590-1608 (Hardcover)
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Hardcover. Condition: new. Hardcover. This is Volume I of the three-volume catalogue raisonne of all drawings considered by the authors to be by Rubens. It covers the years 1590-1608, Volumes II and III dealing, respectively, with the periods 1609-20 and 1621-40. It is the first publication that presents the artist's entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens's drawings at an one time. Volume I consists of the drawings of the artist's childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens's copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens's drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9782503595702
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The Drawings of PETER PAUL RUBENS a Critical Catalogue. Vol. One 1590-1608. Text I - Plates I. Pictura Nova XXII.
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Condition: Nuovo. 2 voll. ril. in tela con sovr., Vol. I. Text: cm 28,5 x 21,5 pp 263 con molte ill. in b/n. Vol. II. Plates: cm 28.5 x21,5 pp 264 con 260 splendide tavv. e ill. a col. - ISBN: 9782503595702. Seller Inventory # 93860
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Drawings of Peter Paul Rubens : A Critical Catalogue: 1590-1608
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The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590-1608)
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Rilegato. Condition: nuovo. Dust Jacket Condition: nuovo. prima edizione. A.-M. Logan, K. Belkin The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590-1608) 2 vol., 536 p., 260 colour ill., 216 x 280 mm, 2021 ISBN: 978-2-503-59570-2 Languages: English Hardback The publication is available. Retail price: EUR 225,00 This is Volume I of the three-volume catalogue raisonné of all drawings considered by the authors to be by Rubens. It covers the years 1590-1608, Volumes II and III dealing, respectively, with the periods 1609-20 and 1621-40. It is the first publication that presents the artist's entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens's drawings at any one time. Volume I consists of the drawings of the artist's childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens's copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens's drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color. Anne-Marie Logan is a specialist in Rubens's drawings and in those of his Flemish contemporaries, especially Van Dyck's. Kristin Lohse Belkin is a Rubens specialist who has carried out extensive research on the artist. Codice articolo 012965 - Language : English text. Seller Inventory # 012965
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The Drawings of Peter Paul Rubens: A Critical Catalogue: 1590-1608 (1)
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ISBN 10: 2503595707
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Rilegato. Condition: nuovo. Dust Jacket Condition: nuovo. prima edizione. Turnhout, Brepols, 2021, 2 vol. Cm. 22×29, pag. 263, 264, fig. a col e in nero, cart e sovrac. It is the first publication that presents the artist's entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens's drawings at any one time. Volume I consists of the drawings of the artist's childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens's copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens's drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color. Seller Inventory # ABE-1696934158508
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