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Synopsis
A call-to-arms for creatives to make their work widely accessible as a political and communal act.
There are many ways to go public in art. There’s exhibiting, publishing, or reviewing. It is only through making artworks public that they become accessible to audiences—a performative act that also involves a marketplace of money and attention. Yet reception is an essential aspect of production.
This book looks at why such reception should not be limited to the art public, positing that going public as an aesthetic and political strategy necessitates an emancipatory practice of public communication that allows, and aspires to, uncertainties, questions, and complexities.
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About the Author
Sigrid Adorf is professor of contemporary art and cultural analysis as well as deputy director of the Institute for Cultural Studies in the Arts at the Zurich University of the Arts. Sønke Gau is an art historian, cultural scholar, curator, art critic, and lecturer at the Zurich University of the Arts. Basil Rogger is a consultant, researcher, and editor. He lectures in design, cultural analysis, and cultural education at the Zurich University of the Arts.
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Paperback. Condition: New. A call-to-arms for creatives to make their work widely accessible as a political and communal act. There are many ways to go public in art. There's exhibiting, publishing, or reviewing. It is only through making artworks public that they become accessible to audiences-a performative act that also involves a marketplace of money and attention. Yet reception is an essential aspect of production. This book looks at why such reception should not be limited to the art public, positing that going public as an aesthetic and political strategy necessitates an emancipatory practice of public communication that allows, and aspires to, uncertainties, questions, and complexities. Seller Inventory # LU-9783035805666
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Paperback. Condition: new. Paperback. A call-to-arms for creatives to make their work widely accessible as a political and communal act. There are many ways to go public in art. Theres exhibiting, publishing, or reviewing. It is only through making artworks public that they become accessible to audiencesa performative act that also involves a marketplace of money and attention. Yet reception is an essential aspect of production. This book looks at why such reception should not be limited to the art public, positing that going public as an aesthetic and political strategy necessitates an emancipatory practice of public communication that allows, and aspires to, uncertainties, questions, and complexities. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9783035805666
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Taschenbuch. Condition: Neu. Neuware -There are many ways to go public in the field of art-such as exhibiting and publishing artworks, writing about art, or presenting the findings of artistic and curatorial research and practice. It is only through making the results of artistic work public that they become accessible to audiences or participators-a performative act and at the same time an entry into a market place of money, attention, or symbolism. Reception is an essential aspect of production in this context. Yet the debate cannot be limited to the art public, as it becomes a political public with the emergence of antagonisms. At the forefront here is an understanding of going public as an aesthetic and political strategy not primarily concerned with 'objectively verified knowledge,' but with the necessity of public communication as an emancipatory practice that not only allows but also aspires to uncertainties, questions, and complexities. With contributions by Dirk Baecker, Stephan Geene, Jens Kastner, Eva Kernbauer, Isabell Lorey, Tine Melzer, Maria Muhle, Shusha Niederberger, Uriel Orlow, Volker Pantenburg, and Marion von Osten. 228 pp. Englisch. Seller Inventory # 9783035805666
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going public.
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Taschenbuch. Condition: Neu. Neuware -There are many ways to go public in the field of art-such as exhibiting and publishing artworks, writing about art, or presenting the findings of artistic and curatorial research and practice. It is only through making the results of artistic work public that they become accessible to audiences or participators-a performative act and at the same time an entry into a market place of money, attention, or symbolism. Reception is an essential aspect of production in this context. Yet the debate cannot be limited to the art public, as it becomes a political public with the emergence of antagonisms. At the forefront here is an understanding of going public as an aesthetic and political strategy not primarily concerned with 'objectively verified knowledge,' but with the necessity of public communication as an emancipatory practice that not only allows but also aspires to uncertainties, questions, and complexities. With contributions by Dirk Baecker, Stephan Geene, Jens Kastner, Eva Kernbauer, Isabell Lorey, Tine Melzer, Maria Muhle, Shusha Niederberger, Uriel Orlow, Volker Pantenburg, and Marion von Osten. 228 pp. Englisch. Seller Inventory # 9783035805666
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