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The Public in the Picture: Involving the Beholder in Antique, Islamic, Byzantine, Western Medieval and Renaissance Art (BilderDiskurs) - Hardcover
Synopsis
The act of including bystanders within the scene of an artwork has marked an important shift in the ways artists addressed the beholder, as well as a significant transformation of the relationship between images and their viewership. In such works, the “public” in the picture could be seen as a mediating between different times, people, and contents.
With The Public in the Picture, contributors describe this shift, with each essay focusing on a specific group of works created at a different moment in history. Together, the contributions explore the political, religious, and social contexts of the publics depicted and relate this shift to the rise of perspectival representation. Contributors to The Public in the Picture include Andrew Griebler, Annette Haug, Henrike Haug, Christiane Hille, Christopher Lakey, Andrea Lermer, Cornelia Logemann, Anja Rathmann-Lutz, Alberto Saviello, and Daniela Wagner.
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About the Author
Beate Fricke is associate professor of medieval art at the University of California, Berkeley, and the author of Fallen Idols, Risen Saints.Urte Krass is assistant professor in the Institute for Art History at the Ludwig Maximilian University of Munich.
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- PublisherDiaphanes
- Publication date2015
- ISBN 10 3037344784
- ISBN 13 9783037344781
- BindingHardcover
- Number of pages288
- EditorFricke Beate, Krass Urte
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The Public in the Picture
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The Public in the Picture / Das Publikum im Bild : Involving the Beholder in Antique, Islamic, Byzantine, Western Medieval and Renaissance Art / Beiträge aus der Kunst der Antike, des Islam, aus Byzanz und dem Westen
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Buch. Condition: Neu. Neuware - Das Auftauchen von Figuren, die an einem dargestellten Ereignis partizipieren, die man jedoch nicht mit Namen benennen kann, zeugt von einem Wandel im Verhältnis zwischen Bildern und ihren Betrachtern. Diese Betrachterfiguren agieren als Vermittler zwischen Zeiten, Personen und Inhalten. So schart sich auf den sogenannten 'volkreichen' Kalvarienbergen Publikum um Maria, die Apostel, Longinus und die Schergen; an Grabmälern sind Trauernde zu sehen und auf Kanzelreliefs richten Einzelpersonen ihren Blick auf den Betrachter; auf byzantinischen Darstellungen des Marientodes sowie dann bei Duccio und Giotto folgen Trauernde dem Sarkophag der toten Maria. Während es bereits relativ früh die 'Anderen' gab, z.B. als Gruppen von Fremden, Armen, Kranken, Andersgläubigen oder Feinden, gehören die Figuren der Betrachter zunehmend der Gemeinschaft der zentralen Protagonisten im Bild an. Diese Figuren fördern nicht nur die Aufmerksamkeit für das Ereignis im Bild und überbrücken Zeitdifferenzen, sie fordern auch selbst Aufmerksamkeit ein. Inwieweit lassen diese Erweiterungen des Personals, das die Protagonisten begleitet, Rückschlüsse auf veränderte Bedingungen in der Welt außerhalb des Bildes zu Der vorliegende Band möchte diese Veränderung aus der Perspektive des westlichen Mittelalters, der byzantinischen Kunst, der islamischen Kunst und auch mit Blick auf ihre Vor- und Nachgeschichte diskutieren. Seller Inventory # 9783037344781
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Gebunden. Condition: New. Explores the political, religious, and social contexts of the publics depicted and relate this shift to the rise of perspectival representation.Das Auftauchen von Figuren, die an einem dargestellten Ereignis partizipieren, die man jedoch nicht mit Namen. Seller Inventory # 21100991
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The Public in the Picture Involving the Beholder in Antique, Islamic, Byzantine and Western Medieval and Renaissance Art (Hardcover)
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Hardcover. Condition: new. Hardcover. The act of including by standers within the scene of an artwork marked an important shift in the ways artists addressed the beholder, as well as a significant transformation of the relationship between images and their viewership. In such works, the "public" in the picture could be seen as a mediating between different times, people, and contents. With The Public in the Picture, contributors describe this shift, with each essay focusing on a specific group of works created at a different moment in history. Together, the contributions explore the political, religious, and social contexts of the publics depicted and relate this shift to the rise of perspectival representation. Contributors to The Public in the Picture include Andrew Griebler, Annette Haug, Henrike Haug, Christiane Hille, Christopher Lakey, Andrea Lermer, Cornelia Logemann, Anja Rathmann-Lutz, Alberto Saviello, Daniela Wagner, and Ittai Weinryb. Explores the political, religious, and social contexts of the publics depicted and relate this shift to the rise of perspectival representation. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9783037344781
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