This pioneering study investigates painting as performance—or the execution of paintings in the presence of an audience—in Japan during the period between the 16th and 19th centuries. The various socioeconomic settings and functions of this artistic practice are analyzed, from elite entertainments and expressions of community to alternative artistic identities and public relations events. The shared experience between artist and observer is considered as well as the resultant artwork, contending that the concept of painting as performance depends on the circumstances of execution and the social relations between those involved. Representing the first attempt at confronting this subject in a methodical manner, it draws from copious research in the fields of Japanese history, art history, and visual cultures studies, highlighting this unique process as a phenomenon worthy of enquiry.
"synopsis" may belong to another edition of this title.
Alexander Hofmann is a curator at the Museum for Asian Art in Berlin.
"About this title" may belong to another edition of this title.
Seller: ISD LLC, Bristol, CT, U.S.A.
paperback. Condition: New. 1st. Seller Inventory # 1090441
Quantity: 1 available
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Neuware - This pioneering study (takes as its topic) focuses on painting as performance in Japan between the 16th and 19th centuries. It offers an analysis of the various socio-economic settings and functions of this artistic practice, from elite entertainments, expressions of community and alternative artistic identities to public relations events.Diese Studie thematisiert erstmals die Praxis des Malens als Performance im Japan des 16.-19. Jahrhunderts. Unterschiedliche soziale und ökonomische Funktionen wie die Unterhaltung von Eliten, der Ausdruck von Identitäten oder die Vermarktung der Bildproduktion spiegeln den Wandel im Verhältnis von Maler und Publikum.Painting in the presence of members of the elite in the 16th century The Ritualization of command performances in the presence of the Tokugawa shogun Diversification of functions of painting performances in the presence of the shogun Diplomatic relations and entertainment of the shogun's guests Painting performances in the presence of the emperor, courtiers and members of the warrior elite in Tokugawa Japan Painting as performance of Identity Cultural networks in 17th/18th century Japan - Communities of Creation, expression and Appreciation Literati gatherings and topographies of communitas Collaborative production as expression of communitas Finger painting and eccentric identities Performing painting as Business The commercialization of culture in 18th century Japan Illustrating crazy verses and popular fiction: Kyōka poets, gesaku writers and ukiyoe painters Fame sells - building a name at calligraphy and painting parties (shogakai) Performing painting as public relations event Performing painting in an expanding world of Art. Seller Inventory # 9783496014515
Quantity: 2 available
Seller: moluna, Greven, Germany
Condition: New. Diese Studie thematisiert erstmals die Praxis des Malens als Performance im Japan des 16.-19. Jahrhunderts. Unterschiedliche soziale und oekonomische Funktionen wie die Unterhaltung von Eliten, der Ausdruck von Identitaeten oder die Vermarktung der Bildproduk. Seller Inventory # 4576312
Quantity: Over 20 available