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Sprachkunst - Beiträge zur Literaturwissenschaft Jahrgang XLII/2011 1. Halbband (English, French, German and Italian Edition) - Softcover

 
9783700173687: Sprachkunst - Beiträge zur Literaturwissenschaft Jahrgang XLII/2011 1. Halbband (English, French, German and Italian Edition)
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Valerie Leyh: Die Narrenburg im Waldwinkel. Theodor Storms Auseinandersetzung mit Adalbert StifterReika Hane: Schweigen des Verstummten. Stille Rebellion und aggressive Gehorsamkeit in Thomas Bernhards Drama "Ein Fest fur Boris"Natalie Bloch: Kapital, Religion, Gewalt. Die Untoten und Zombie-Stimmen in Elfriede Jelineks "Babel"Francoise Retif: Ecriture des limites. limites de l`ecriture. Ilse Aichinger, Ingeborg Bachmann, Edmond Jabes.Anja Pompe: Shakespeare-Factory. Machine Celibataire. Hamletmaschine. Andy Warhol, Marcel Duchamp, Heiner MullerLisa Margarete Schons: "Ah, earth, you old extinguisher. Die Funktion der Wuste in Samuel Becketts DramenKeith Moser: The De-centered Humanism and Cosmic Egagement of J.M. G. Le Clezio. Posing Questions in an Age of SuspicionKai Spanke: Zeichen des Holocaust. Ikon, Symbol und Index als reflexive Kategorien in Robert Thalheims "Am Ende kommen Touristen"Verzeichnis der literaturwissenschaftlichen Dissertationen an osterreichischen UniversitatenBerichte und Besprechungen:Klaus Aman: Norbert Christian Wolf, Kakanien als Gesellschaftskonstruktion. Robert Musils Sozioanalyse des 20. Jahrhunderts (=Literaturgeschichte in Studien und Quellen, Band 20)Kurt Bartsch: Wilhelm Hernecker und Manfred Mittermeyer (Hrsgg.), Mythos Bachmann. Zwischen Inszenierung und Selbstinszenierung (=Profile 8)Aage Hansen-Love: Jurgen Brokoff, Geschichte der reinen Poesie. Von der Weimarer Klassik bis zur historischen AvantgardeYork-Gothart Mix: "Erinnerung ist schon etwas Merkwurdiges. Sie erfindet sich permanent neu". Das nationalsozialistische Getto in der neueren (auto)biographischen Literatur- und geschichtswissenschaftlichen Forschung (=Sammelrezension)

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Michael ROssner teaches romance literature at the University of Munich (LMU), Germany. He is director of the Institute of Culture Studies and Theatre History (IKT) at the Austrian Academy of Sciences.

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