This publication, the first edition of which sold out a few months following publication in 1998, is the first comprehensive overview of Peter Zumthor's buildings and projects from the years 1979 to 1997. It illustrates 8 buildings and 12 projects in photographic essays by Hélène Binet. The descriptive texts are by Peter Zumthor. Both the buildings and projects are extensively documented with drawings. Even after publication of the complete edition in 2014, it has lost nothing of its beauty. The book, which up to now has been traded on the internet at top prices, is now finally available again from booksellers.
"For me, working on a design is a process that originates from homemaking and leads back to homemaking. In my imagination, I test my designs by making my home in them; I try to imagine the feel of the spaces and conjure up the sum total of all spatial experiences we can have and have had, and of experiences we are still able to have in the future and which - in the case of a new home - I dream that we should have." Peter Zumthor
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Text: English (translation)
Original Language: German
A year later in The New York Times, on January 7 of this year, Dian Ketchum's story, "Architecture's Swiss Mystic," further fanned the hype about this form cabinetmaker, whom she admitted "has barely a dozen buildings to his credit." With just a few commissions, Zumthor, the new superstar architect, has reinvented Modernism as minimalism derived from the Swiss vernacular combined with his own sense of translucent atmospherics. And he writes. In the introduction to Peter Zumthor Works: Buildings and Projects 1979-1997. Zumthor himself describes the origins of his sensibility-a near state of grace between tectonics and poetics that relies on ephemeral and often mysterious intuitive forces.
Works features 8 buildings and 12 projects, ranging from small rural houses (including Zumthor's own studio of 1985-86) to public architecture and provincial museums. Since 1978, like most architects, he has been entering design competitions-losing more than he wins. But his major commissions, like the Thermal Baths at Vals, all resulted from competitions. -- Oculus
Peter Zumthor is not yet a household name among architects, due to his minimal production and his reluctance to publish his work. With the completion of ahealth spa in Vals, Switzerland, and an art museum in Bregenz, Austria--extraordinary works that seem destined to represent the age--the Swiss architect's aloofness can no longer be maintained....Deceptively simple--cubes, oblongs, cylinders--the 54-year-old architect's buildings cannot be captured in photographs; their true essence comes from the experience of textures, the play of light, the celebration of craft, and the kinesthesia of their spaces....Each work goes to extremes to eliminate the superfluous, yielding the paradox of an architecture of pure materials and continuous space that is at once impossibly simple yet wrenchingly mysterious. -- Richard Ingersoll, Architecture, Oct 1997
The Swiss architect Peter Zumthor has over the last years completed a series of built works that have captivated us with their object simplicity and their material sophistication. More than anyone he has reinforced the physical power of architecture. Avoiding rhetorical gesture he has managed to complete a series of buildings that are joyful in their manifestation of form, material, and construction....While fashionable minimalism achieves its results by exclusion, Zumthor's work is informed by complex understanding and the working-through of problems....More than any other contemporary architect Peter Zumthor has persisted in maintaining architecture as a constructive craft. Through his built work he shows us how architecture can be invested with idea, how idea does not have to conspire with ideology. He demonstrates that through a multiple and layered process architecture can have intent without rhetoric, purpose without dogma, gravity and light. -- David Chipperfield, AA Files
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