Twelve years after the legendary success of his first book of photographs, Invisible City, Ken Schles returns with his long-awaited sophomore effort, The Geometry of Innocence. Schles's focus is on the relentless shifting of social structures and spaces that mark the urban landscape of today. His images form a kind of visual roller coaster, sending the viewer onto city streets and playgrounds, into pubs and bars, putting the viewer inside a police helicopter and taking them to death row, hospital rooms, and police interventions. While there is no "story" per se, this breathless sequence of pictures is condensed into thematic clusters, providing a spellbinding and almost physically palpable experience. The works in The Geometry of Innocence address and play upon the immediacy and relativity of meaning in the photographic image, creating a bold and highly nuanced artistic statement.
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Award-winning photographer, writer, and film director Ken Schles lives and works in New York. His work has appeared in most major national and international magazines, and on numerous CD jackets. His work is represented in the collections of such museums as the Metropolitan Museum of Art, the Museum of Modern Art, New York, the Art Institute of Chicago, and the Corcoran Gallery of Art.
This is the second book by American photographer Schles, also known for his commercial work in magazines such as The New Yorker, Spin, and Esquire. Schles is not afraid of the dark, actual or figurative; since his first intimate documentation of New York (Invisible City, 1988. o.p.), his critical eye has brought him to the extreme (e.g., police helicopters, operating rooms, death row) as well as the everyday (e.g., birthday parties, weddings, construction sites). From each, he extracts strangely humanizing views to address his apprehension with the ragged, noisy isolation of the modern urban experience. The gritty and beautiful images, in color and black and white, are presented in a narrative fashion without much text, paired and combined by sometimes ironic intent or common subject or feel. The result is a calamitous and visceral journey through a kinetic, disturbing, vibrant America. This is a potentially nullifying presentation, but Schles's individual images stand up; each is explained in a closing image list. Recommended as a good initial purchase to large and academic photographic collections. Debora Miller, Minneapolis
Copyright 2001 Reed Business Information, Inc.
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Hardcover. Condition: Like New. Dust Jacket Condition: Like New. First Edition. First Edition, First Printing. Not price-clipped ($19.95 price intact). Published by Hatje Cantz, 2001. Quarto. Black boards stamped in yellow. Book is like new with no writing, and sharp corners. Minor spine lean. Dust jacket is like new. 128 pages. ISBN: 3775710116. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ships with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. Seller Inventory # 92213
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Hardcover. SIGNED. First edition. NEW hardback in dust jacket protected by mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. 128 pages; 94 color and 114 b&w photographic plates; 10 x 13.5 inches. Edition limited to 3500 copies. SIGNED BY SCHLES and inscribed and dated in the year of publication. LAID IN is a pre-publication announcement from Schles with illustrated card, an illustrated card from the publisher announcing the publication of the book, and a card and envelope announcing a book signing at ICP, NYC. From the publisher: Twelve years after his first book of photographs, Invisible City, Ken Schles returns with The Geometry of Innocence. Schles's focus is on the relentless shifting of social structures and spaces that mark the urban landscape of today. His images form a kind of visual roller coaster, sending the viewer onto city streets and playgrounds, into pubs and bars, putting the viewer inside a police helicopter and taking them to death row, hospital rooms, and police interventions. Seller Inventory # 8519
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First edition, 2001. 128 pages. 208 illustrations, 94 in colour and 114 in duotone. Boards. Near fine in dustjacket. After the success of Invisible City, Ken Schles now presents his second book of photographs The Geometry of Innocence. With his photographs, Schles approaches the omnipresence of social structures, which - pushed by the flood of media images - are undergoing permanent, almost frantic change. He sends his viewers onto city streets and playgrounds, into pubs and bars, puts them into a police helicopter and takes them to death row, hospital rooms and police interventions. There is no story, only a breathless sequence of pictures condensed into thematic clusters that hold the viewer spellbound. Seller Inventory # 27243
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