An in-depth look at how one of the country’s most successful photographers became one of its most important cinematographers.
Moving Pictures examines the Hollywood career of Karl Struss (1886–1981), a pioneering artist of both still and moving images who reached the highest levels of success in both fields. It tells a multimedia story through photographs, films, and archival objects of how he transitioned from an acclaimed fine art photographer to a leading Hollywood cinematographer. In the 1920s, Struss transitioned to working more fully as a cinematographer, co-photographing movies such as Ben Hur: A Tale of the Christ (1925) and Sunrise: A Song of Two Humans (1927); over the course of his career, he worked with the great actors and directors of the age, including Charlie Chaplin, Mary Pickford, Mae West, D.W. Griffith, and F.W. Murnau. Struss’s technological and artistic contributions to Sunrise in particular were revolutionary, and the work is still widely considered the pinnacle of silent film achievement. Fittingly, his work on Sunrise won Struss and co-photographer Charles Rosher the first Oscar ever awarded for Best Cinematography. This is the first monographic study of Struss in thirty years.
"synopsis" may belong to another edition of this title.
Jonathan Frembling is gentling curator and head archivist at the Amon Carter Museum of American Art (the Carter).
Dr. Kristen Gaylord is former associate curator of photographs at the Carter.
Dr. Luci Marzola is a film and media historian at the USC School of Cinematic Arts.
Dr. Karen Barber is visiting assistant professor of art history at the University of Mississippi.
John Bailey, ASC, is a cinematographer and former president of the Academy of Motion Picture Arts and Sciences.
"About this title" may belong to another edition of this title.
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Hardback. Condition: New. Moving Pictures examines the Hollywood career of Karl Struss (1886-1981), a pioneering artist of both still and moving images who reached the highest levels of success in both fields. It tells a multimedia story through photographs, films, and archival objects of how he transitioned from an acclaimed fine art photographer to a leading Hollywood cinematographer. The publication focuses on the thirty years between 1919, when Struss first started working in Hollywood, and the late 1940s, when the breakup of the studio system remade Hollywood. Finally, Moving Pictures will explore Struss's cinematography in the two decades after Sunrise, an era of seismic changes in the film industry that witnessed the introduction of sound and colour film, the solidification and then breakup of the studio system, and the postwar rise of television. In these years, he earned an additional three Oscar nominations and established collaborative relationships with some of Hollywood's biggest directors and stars like Charlie Chaplin and Mary Pickford. The publication ends in 1951, when Struss starred as "the cinematographer" in the Academy of Motion Picture Arts and Science's eponymous short film, a sign that he had become Hollywood's archetypal cameraman. Seller Inventory # LU-9783777442839
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Hardcover. Condition: new. Hardcover. Moving Pictures examines the Hollywood career of Karl Struss (1886-1981), a pioneering artist of both still and moving images who reached the highest levels of success in both fields. It tells a multimedia story through photographs, films, and archival objects of how he transitioned from an acclaimed fine art photographer to a leading Hollywood cinematographer. The publication focuses on the thirty years between 1919, when Struss first started working in Hollywood, and the late 1940s, when the breakup of the studio system remade Hollywood.Finally, Moving Pictures will explore Struss's cinematography in the two decades after Sunrise, an era of seismic changes in the film industry that witnessed the introduction of sound and colour film, the solidification and then breakup of the studio system, and the postwar rise of television. In these years, he earned an additional three Oscar nominations and established collaborative relationships with some of Hollywood's biggest directors and stars like Charlie Chaplin and Mary Pickford. The publication ends in 1951, when Struss starred as "the cinematographer" in the Academy of Motion Picture Arts and Science's eponymous short film, a sign that he had become Hollywood's archetypal cameraman. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9783777442839
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