This book documents the first comprehensive exhibition of Italian Renaissance illuminations from collections in Europe and the United States. In the century between 1450 and 1550, Italian miniaturists, in collaboration with scribes and bookbinders, produced a series of masterpieces of book illumination which are still too little known and appreciated. Though working on a smaller scale than the great painters and sculptors of the Renaissance, these illuminators created works characterized by unrivaled standards of quality in materials (including frequent use of gold) and design, and by imaginative symbolism and breathtaking creativity.
137 manuscripts, printed books with hand-painted illustrations and single pages are illustrated in full color, ranging from small prayer books to large choir books, and from Greek, Roman, and Italian literature to collections of fables and historical treatises. Many of these volumes were commissioned by powerful wealthy, and discriminating patrons who included members of the ruling Italian families as well as cardinals and popes and many of whom were also prominent bibliophiles. Among other fascinating issues, the mechanics of patronage, patterns of production, and formation of libraries are discussed in three essays and in the catalogue entries - the latter divided into eight thematic sections - written by noted specialists in the history of Renaissance manuscripts and books. And, of course, we are introduced to the artists themselves - their working habits, characteristic styles, and interrelationships.
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The demise of the illuminated book brought about by the printing press and the introduction of perspective was fortunately slow in coming. This cogently introduced, scrupulously documented, and exquisitely illustrated exhibition catalog amply demonstrates that manuscript painting, although often ill regarded, was a flourishing and vital branch of Italian Renaissance art. Fortuitously presaged and complemented by Laurence B. Kanter's Painting and Illumination in Early Renaissance Florence, 1300-1450 (LJ 3/15/95), this volume proves the case for the continuity and efflorescence of the illuminated page into the late Renaissance. Eschewing strict chronological order, the catalog proper is intelligently structured along thematic lines. Among the categories pursued are religious and humanistic texts, patrons and illuminators and that terminal oddity-the hand-illuminated printed book. In addition to the works themselves, which are expansively described and superbly illustrated, three excellent essays and a glossary provide a social, stylistic, and technical context for these superb objects. For informed readers.
Robert Cahn, Fashion Inst. of Technology, New York
Copyright 1995 Reed Business Information, Inc.
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Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Seller Inventory # 00106428677
Seller: Lowry's Books, Three Rivers, MI, U.S.A.
Cloth. Condition: Very Good. Dust Jacket Condition: Good to Very Good. Various (illustrator). First Edition. Vivid red cloth in beautiful condition; some handwritten text at the endpapers; illustrations of illuminated works throughout the book; unclipped jacket in good condition, in protective vinyl covering; faded spine Size: 4to - over 9¾" - 12" tall. Seller Inventory # 142178
Seller: George Ong Books, New York, NY, U.S.A.
Soft cover. Condition: Near Fine. 272, [8] pp.; small folio, card wrapper. Profusely illustrated in color. Published in connection with an exhibition at the Royal Academy of Arts (London) and the Pierpont Morgan Library in New York. Near fine copy; contents fine, light crease along spine. Seller Inventory # 6142
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Hardback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. Seller Inventory # GOR006098328
Quantity: 1 available
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR004858544
Quantity: 2 available
Seller: WeBuyBooks, Rossendale, LANCS, United Kingdom
Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Seller Inventory # rev8000946056
Quantity: 2 available
Seller: G.J. Askins Bookseller, New Lebanon, NY, U.S.A.
Paperback. Condition: Good. 280 page paperback exhibition catalog with many illustrations. Exhibit was at Royal Academy of Arts, London and Pierpont Morgan Library, New York in 1994 -95. Several essays, Catalogue, Glosssary, and Bibliography at rear. Rear bottom corner has light crease - otherwise very good condition. Seller Inventory # 538117
Seller: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. 1st. Cloth, 272 pages, illustrations (chiefly colour); 31 cm. Published on the occasion of the exhibition held at the Royal Academy of Arts, London, 27 October 1994 to 22 January 1995; and The Pierpont Morgan Library, New York, 15 February to 7 May 1995. Near fine. Firm binding, clean inside copy. Age toning, top edge lightly soiled. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "This book documents the first comprehensive exhibition of Italian Renaissance illuminations from collections in Europe and the United States. In the century between 1450 and 1550, Italian miniaturists, in collaboration with scribes and bookbinders, produced a series of masterpieces of book illumination which are still too little known and appreciated. Though working on a smaller scale than the great painters and sculptors of the Renaissance, these illuminators created works characterized by unrivaled standards of quality in materials (including frequent use of gold) and design, and by imaginative symbolism and breathtaking creativity. 137 manuscripts, printed books with hand-painted illustrations and single pages are illustrated in full color, ranging from small prayer books to large choir books, and from Greek, Roman, and Italian literature to collections of fables and historical treatises. Many of these volumes were commissioned by powerful wealthy, and discriminating patrons who included members of the ruling Italian families as well as cardinals and popes and many of whom were also prominent bibliophiles. Among other fascinating issues, the mechanics of patronage, patterns of production, and formation of libraries are discussed in three essays and in the catalogue entries - the latter divided into eight thematic sections - written by noted specialists in the history of Renaissance manuscripts and books. And, of course, we are introduced to the artists themselves - their working habits, characteristic styles, and interrelationships." - Publisher. *** CONTENTS: Patrons, libraries and illuminators in the Italian Renaissance, by Jonathan J.G. Alexander; The Italian Renaissance miniature, by Giordana Mariani Canova; The hand-illumination of printed books in Italy 1465-1515, by Lilian Armstrong; Catalogue. Liturgical and biblical manuscripts; Renaissance patrons and libraries; Classical and humanist texts; 'All'antica'; The hand-illuminated printed book; Illuminators and their methods of work; Choir books; The sixteenth century; Glossary. Size: 4to. Seller Inventory # 102986
Seller: Klondyke, Almere, Netherlands
Condition: Good. Paperback, numerous (full page) illustrations in colour, 4to.; Edges cover occasionaly discoloured; some annotations on last page. Seller Inventory # 399195-LA4
Quantity: 1 available
Seller: Broad Street Book Centre, Hereford, United Kingdom
Soft cover. Condition: Very Good. Catalogue first published on the occasion of the exhibition Royal Academy of Arts, London, 27 October 1994 - 22 January 1995. 280pp. b/w & col. illus. Slight shelf wear to covers; corners a little bent and spine slightly sunned. Contents very clean and bright. LARGE, HEAVY BOOK - OVERSEAS ORDERS WILL REQUIRE ADDITIONAL POSTAGE. Seller Inventory # 120338
Quantity: 1 available