This book presents one of the most outstanding private collections of 20th-century American art in the world and tells the story of how the collection evolved and eventually found a new home at Stanford University. Jackson Pollock, Helen Frankenthaler, Willem de Kooning, Richard Diebenkorn, Frank Stella―these are just some of the artists represented in the renowned Anderson Collection, a large portion of which was recently gifted to Stanford University, and for which a new museum building is being constructed. Featuring 121 artworks, the book includes scholarly essays on the collectors, the collection, and the individual artists and artworks represented in this significant postwar and contemporary collection. The book offers a fascinating insight into the world of art collecting, curating, research, and philanthropy, as well as a magnificent sampling of works from some of America’s greatest artists.
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David Cateforis is professor of art history at the University of Kansas. He has lectured and published extensively on modern American and international contemporary art. Evelyn C. Hankins is curator of modern art at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. Previously she was the curator of collections and exhibitions at the Robert Hull Fleming Museum at the University of Vermont and a curator at the Whitney Museum of American Art in New York. Molly S. Hutton is an independent curator and historian of American art. A scholar of both historical and contemporary American realism, she has most recently published on the work of the early-twentieth-century Ashcan School artists and the late photo-realist Kent Bellows.
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Hardcover. Condition: NEW. Dust Jacket Condition: NEW. 1st. 243 pages, colour illustrations; 32 cm. Published in celebration of the opening of the Anderson Collection at Stanford University, Stanford, California, September 18, 2014. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "This book presents one of the most outstanding private collections of 20th-century American art in the world and tells the story of how the collection evolved and eventually found a new home at Stanford University." - Publisher. *** CONTENTS: Foreword, by Jason Linetzky; President's statement, by John L. Hennessy; A statement from the Anderson family, by Harry W. Anderson, Mary Margaret Anderson, Mary Patricia Anderson Pence, and Devin Diane Pence; The campus connection: the Anderson family and Stanford ties, by Molly S. Hutton; Where we work together to build something, by Evelyn C. Hankins; Surface and depth: notes on painting and sculpture in the Anderson Collection at Stanford University; Plates; Setting the stage for insight: Nathan Oliveira's road to Stanford, by John Seed; Magic breakthrough: William Faulkner and Jackson Pollock in 1947-48, by Alexander Nemerov; Symbolism is a difficult idea: Franz Kline's Figure 8, by Branden W. Joseph; In the shadows: Robert Irwin's disc paintings, by Rachel Teagle; Susan Rothenberg's unruly figures, by Carolyn Kastner; Martin Puryear's tactile meaning, by Gwen Allen; Just to mention a few: the bewildering world of William T. Wiley, by Karen M. Rapp; The building of a collection: a chronology, by Karen Saracino; Anderson Collection exhibitions; Checklist of the Anderson Collection at Stanford University; Acknowledgments; Architect's statement, by Richard M. Olcott; Afterword, by Nancy J. Troy; Contributors; Index. Size: Folio. Seller Inventory # 123213
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