This lavishly illustrated book examines Berlin in depth during a period of explosive growth between the two world wars. Between 1871 and 1919, the population of Berlin quadrupled,
and the city became the political center of Germany, as well as the turbulent crossroads of the modern age. This was reflected in the work of artists, directors, writers, and critics of the time. As an imperial capital, Berlin was the site of violent political revolution and radical aesthetic innovation. After the German
defeat in World War I, artists employed collage to challenge
traditional concepts of art. Berlin Dadaists reflected upon
the horrors of war, and the terrors of revolution and civil war.
Between 1924 and 1929 as the spirit of modernity took hold,
jazz, posters, magazines, advertisements, and cinema played
a central role in the development of Berlin’s urban experience.
The concept of the “Neue Frau”―the modern, emancipated
woman–helped move the city in a new direction. Finally, Berlin
became a stage for political confrontation between the left
and the right and was deeply affected by the economic crisis
and mass unemployment at the end of the 1920s. This book
explores in numerous essays and illustrations the artistic,
cultural, and social upheavals in Berlin between 1918 and 1933,
and places them in a broader historical framework.
"synopsis" may belong to another edition of this title.
Olaf Peters is Professor of Modern Art at the Martin Luther University in Halle-Wittenberg, Germany.
"About this title" may belong to another edition of this title.
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Hardcover. Black and color-illustrated DJ with white and gilt lettering; red cloth boards with black lettering; 399 pp.; richly illustrated (some color). Between 1871 and 1919, the population of Berlin quadrupled and the city became the political center of Germany, as well as the turbulent crossroads of the modern age. This was reflected in the work of artists, directors, writers and critics of the time. As an imperial capital, Berlin was the site of violent political revolution and radical aesthetic innovation. After the German defeat in World War I, artists employed collage to challenge traditional concepts of art. Berlin Dadaists reflected upon the horrors of war and the terrors of revolution and civil war. Between 1924 and 1929, jazz, posters, magazines, advertisements and cinema played a central role in the development of Berlin's urban experience as the spirit of modernity took hold. The concept of the Neue Frau -the modern, emancipated woman-helped move the city in a new direction. Finally, Berlin became a stage for political confrontation between the left and the right and was deeply affected by the economic crisis and mass unemployment at the end of the 1920s. This book explores in numerous essays and illustrations the artistic, cultural and social upheavals in Berlin between 1918 and 1933 and places them in a broader historical framework. -- WorldCat. Good (Ex-Library from Visual Studies Workshop, with a white sticker on lower DJ spine, front of DJ and on rear pastedown; DJ and boards are lightly edgeworn/scuffed/smudged/bumped; textblock edges have light smudging; interior is clean; binding is solid.). Seller Inventory # 199884
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29x24. 400p. Cart. Tela Ed. Sobrecubierta. Fotogr. Ilustr. 1 Octubre 2015-4 Enero 2016. Contribuyen: Leonhard Helten, Jürgen Müller, Olaf Peters, Sharon Jordan, Janina Nentwig, Dorothy Price, Adelheid Rasche. Prólogo Ronald S. Lauder. Buen estado. LIBRO EN ESPAÑOL. Seller Inventory # 215004
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