Items related to Painting 2.0: Expression In the Information Age
Synopsis
Examining the resurgent interest in painting and the proliferation of new digital media in recent years, this generously illustrated book delineates painting's complex relationship with information technology. In a survey that begins in the mid-twentieth century, long before the birth of the Internet, this book traces painting’s capacity to digest and transform other media, even as its own legitimacy has been questioned. Featuring the work of numerous renowned artists, from Sigmar Polke to Nicole Eisenman and from Cy Twombly to Amy Sillman, the book examines how painting has addressed digital technology as it relates to
human experience and perception, and includes three in-depth
essays and additional texts by influential thinkers from the field.
Comprehensive and lavishly illustrated, the book presents a
wide range of works that reconsider the assumed opposition
of the digital and the analog, the human and the technological,
arguing that painting has served as a means to represent—and
even enact—new media. This book affirms the ongoing vitality
of the medium of painting in the midst of a digital world.
"synopsis" may belong to another edition of this title.
About the Author
Achim Hochdorfer is Director of the Brandhorst Collection.
Review
"This book (and the show that accompanied it, which first opened at Munich’s Museum Brandhorst in 2016) set out with the broad goal of “revis[ing] the history of painting since 1960.” Shockingly, for a legacy so deeply chronicled, it succeeded. Painting 2.0 effectively resuscitated a medium that had long risked “marginalization,” as art historian David Joselit put it in an interview with ARTnews, and it presaged a wave of figurative painting that would come out of Europe and America in the years since." —Artnews
"About this title" may belong to another edition of this title.
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Painting 2.0: Expression In the Information Age
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Painting 2.0 : Expression in the Information Age: Gesture and Spectacle, Eccentric Figuration, Social Networks
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Painting 2.0 : Expression in the Information Age: Gesture and Spectacle, Eccentric Figuration, Social Networks
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Painting 2.0: Expression in the Information Age
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Painting 2.0: Expression in the Information Age: Gesture and Spectacle, Eccentric Figuration, Social Networks
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Painting 2.0. Gesture and spectacle. Eccentric figuration. Social networks. Expression in the information age.
Published by
München / London / New York. Prestel Verlag., 2015
ISBN 10: 3791354914
ISBN 13: 9783791354910
Used
Softcover
Seller: Antiquariat Querido - Frank Hermann, Düsseldorf, NRW, Germany
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1. Auflage. 30,5 x 24 cm. 287 S. OKarton mit illustriertem OKlappenumschlag. Neubuch (originalverschweißt). Durchgehend mit meist farbigen Abbildungen versehen. Dieses großzügig illustrierte Buch untersucht das wiederauflebende Interesse an der Malerei und die Verbreitung neuer digitaler Medien in den letzten Jahren und beschreibt die komplexe Beziehung der Malerei zur Informationstechnologie. In einer Untersuchung, die in der Mitte des 20. Jahrhunderts beginnt, lange vor der Geburt des Internets, zeichnet dieses Buch die Fähigkeit der Malerei nach, andere Medien zu verarbeiten und zu transformieren, auch wenn ihre eigene Legitimität in Frage gestellt wurde. Mit den Werken zahlreicher renommierter Künstler, von Sigmar Polke bis Nicole Eisenman und von Cy Twombly bis Amy Sillman, untersucht das Buch, wie sich die Malerei mit digitaler Technologie in Bezug auf menschliche Erfahrung und Wahrnehmung auseinandergesetzt hat, und enthält drei ausführliche Essays und zusätzliche Texte von einflussreichen Denkern aus der Branche. Das Buch ist umfassend und reich bebildert und präsentiert eine breite Palette von Werken, die den angenommenen Gegensatz von Digital und Analog, von Mensch und Technologie neu überdenken und argumentieren, dass Malerei als Mittel zur Darstellung und sogar Inszenierung neuer Medien gedient hat. Dieses Buch bestätigt die anhaltende Vitalität des Mediums Malerei inmitten einer digitalen Welt (Verlagsangabe). Mit Texten von Lynne Cooke, Isabelle Graw, John Kelsey, Tonio Kröner, Wolfram Pichler und Kerstin Stakemeier. Sprache: deutsch und englisch. Seller Inventory # 2770EB
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Painting 2.0 (Hardcover)
Seller: Grand Eagle Retail, Mason, OH, U.S.A.
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Hardcover. Condition: new. Hardcover. Examining the resurgent interest in painting and the proliferation of new digital media in recent years, this generously illustrated book delineates painting's complex relationship with information technology. In a survey that begins in the mid-twentieth century, long before the birth of the Internet, this book traces painting's capacity to digest and transform other media, even as its own legitimacy has been questioned. Featuring the work of numerous renowned artists, from Sigmar Polke to Nicole Eisenman and from Cy Twombly to Amy Sillman, the book examines how painting has addressed digital technology as it relates to human experience and perception, and includes three in-depth essays and additional texts by influential thinkers from the field. Comprehensive and lavishly illustrated, the book presents a wide range of works that reconsider the assumed opposition of the digital and the analog, the human and the technological, arguing that painting has served as a means to represent--and even enact--new media. This book affirms the ongoing vitality of the medium of painting in the midst of a digital world. 350 colour illustrations Exploring the resurgent interest in painting and the proliferation of new digital media in recent years, this generously illustrated book explores how painting has been influenced by new media. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9783791354910
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