In 1966, during a brief stint as a receptionist for Town and Country magazine, Linda Eastman snagged a press pass to a very exclusive promotional event for the Rolling Stones aboard a yacht on the Hudson River. With her fresh, candid photographs of the band, far superior to the formal shots made by the band’s official photographer, Linda secured her name as a rock ’n’ roll photographer. Two years later, in May 1968, she entered the record books as the first female photographer to have her work featured on the cover of Rolling Stone with her portrait of Eric Clapton. She went on to capture many of rock’s most important musicians on film, including Aretha Franklin, Jimi Hendrix, Bob Dylan, Janis Joplin, Simon & Garfunkel, The Who, The Doors, and the Grateful Dead.
In 1967, Linda went to London to document the "Swinging Sixties," where she met Paul McCartney at the Bag O’Nails club and subsequently photographed The Beatles during a launch event for the Sgt. Pepper’s Lonely Hearts Club Band album. Paul and Linda fell in love, and were married on March 12, 1969. For the next three decades, until her untimely death, she devoted herself to her family, vegetarianism, animal rights, and photography.
From her early rock ’n’ roll portraits, through the final years of The Beatles, to raising four children with Paul, Linda captured her whole world on film. Her shots range from spontaneous family pictures to studio sessions with Stevie Wonder and Michael Jackson, as well as encounters with artists Willem de Kooning and Gilbert and George. Always unassuming and fresh, her work displays a warmth and feeling for the precise moment that captures the essence of any subject. Whether photographing her children, celebrities, animals, or a fleeting moment of everyday life, she did so without pretension or artifice.This retrospective volume is a lasting and deeply personal testament to Linda's talent, produced in close collaboration with the McCartney family, with forewords by Paul, Stella, and Mary McCartney.
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Annie Leibovitz’s body of work encompasses some of the most well-known portraits of our time. Leibovitz began her career as a photojournalist for Rolling Stone in 1970 while she was still a student at the San Francisco Art Institute. In 1983, when she joined the staff of the revived Vanity Fair, she was established as the foremost rock music photographer and an astute documentarian of the social landscape. At Vanity Fair, and later at Vogue, her work with actors, directors, writers, musicians, athletes, and political and business figures, as well as her fashion photographs, expanded her collective portrait of contemporary life. Leibovitz has published several books and has exhibited widely. She is a Commandeur in the French government’s Ordre des Arts et des Lettres and has been designated a Living Legend by the Library of Congress.
Martin Harrison is a historian of art and photography and an exhibition curator who has collaborated with the likes of Linda McCartney and Peter Lindbergh on numerous projects and exhibitions. He has been working on Francis Bacon for twenty years, and most recently edited the artist’s catalogue raisonné (2016).
Alison Castle received a BA in philosophy from Columbia University and an MA in photography and film from NYU/International Center of Photography. She is editor of photography, film, and design titles, including Some Like It Hot, The Stanley Kubrick Archives, Linda McCartney. Life in Photographs, and Marc Newson. Works.
Linda McCartney (née Eastman) was born in New York in 1941. She took a photo course with Hazel Archer and studied art history at the University of Arizona before settling in New York City, where she began her photo career shooting rock portraits. Outside of her photography, which has been exhibited in over 50 galleries worldwide including the Victoria and Albert Museum, London, the National Portrait Gallery, London, and the International Center of Photography, New York, Linda McCartney is known for her passionate animal rights activism and her staunch vegetarianism. She wrote cookbooks and founded her own brand of frozen vegetarian meals, all the while raising a family, continuing to take photographs, and participating as a Wings band member alongside Paul McCartney. She died in 1998 at the age of 56.
“Sir Paul McCartney has created the ultimate tribute to his late wife Linda, with a book to celebrate her talent.”
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Gebunden mit Schutzumschlag. Condition: Gut. [280] S. : überw. Ill. ; 33 cm Dieses Buch zeigt ein Stück Zeitgeschichte. Text innen auf Englisch. Klappentext mehrsprachig. Aber entscheidend sind die Fotos. Schutzumschlag mit leichten Läsionen. Leichte Lese- und Lagerspuren! Roter Fleck am rückwertigen Cover. Siehe Fotos. Sie erhalten eine Rechnung mit der darin ausgewiesenen MwSt. Sprache: Deutsch Gewicht in Gramm: 2300 1966, als sie kurzzeitig einen Job als Rezeptionistin der Zeitschrift Town and Country hatte, gelang es Linda Eastman, einen Presseausweis für einen sehr exklusiven PR-Event der Rolling Stones an Bord einer Jacht auf dem Hudson River zu ergattern. Mit ihren frischen natürlichen Fotos der Band, die viel besser waren als die steifen Bilder des offiziellen Fotografen, machte sich Linda einen Namen als Rock-'n'-Roll-Fotografin. Zwei Jahre später, im Mai 1968, ging sie mit ihrem Porträt von Eric Clapton als erste weibliche Fotografin, deren Werk auf dem Cover von Rolling Stone erschien, in die Geschichte ein. Danach lichtete sie noch viele wichtige und berühmte Musiker ab, darunter Aretha Franklin, Jimi Hendrix, Bob Dylan, Janis Joplin, Simon & Garfunkel, The Who, The Doors und The Grateful Dead. 1967 ging Linda nach London, um die Swinging Sixties" zu dokumentieren. Sie lernte Paul McCartney im Club Bag O'Nails kennen und fotografierte die Beatles anschließend während eines Launch-Events für deren Sgt.-Pepper's- Album. Paul und Linda verliebten sich und heirateten am 12. März 1969. In den folgenden drei Jahrzehnten bis zu ihrem allzu frühen Tod widmete Linda sich ihrer Familie und ihrer Fotografie und setzte sich für Vegetarismus und Tierrechte ein. Von den frühen Rock-Porträts über die letzten Jahre der Beatles bis hin zu ihrer Rolle als Mutter von vier Kindern hat Linda ihr Leben stets fotografisch begleitet. Das Spektrum der Aufnahmen reicht dabei von spontanen Familienschnappschüssen bis hin zu Studioaufnahmen mit Stevie Wonder und Michael Jackson oder auch Begegnungen mit den bildenden Künstlern Willem de Kooning und Gilbert und George. Ihre Werke, immer unprätentiös und unverbraucht, strahlen Wärme aus und zeugen von einem Gefühl für den richtigen Augenblick, der den Wesenskern eines jeden Subjekts einfängt. Ganz gleich ob sie ihre Kinder, Prominente, Tiere oder flüchtige Alltagssituationen fotografierte: Sie tat es stets ohne Anmaßung und Künstlichkeit. Diese Retrospektive ist ein umfassendes und sehr persönliches Zeugnis von Lindas Schaffen. Es entstand in enger Zusammenarbeit mit der Familie und enthält einleitende Texte von Paul, Stella und Mary McCartney. Seller Inventory # 19768
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