This study delineates the cultural work of magical realism as a dominant mode in postcolonial British fiction through a detailed analysis of Salman Rushdie's Midnight's Children (1981), Shashi Tharoor's The Great Indian Novel (1989), Ben Okri's The Famished Road (1991), and Syl Cheney-Coker's The Last Harmattan of Alusine Dunbar (1990). It first traces the development of magical realism from its origins in European painting to its appropriation into literature by European and Latin American writers. It then explores contested definitions of magical realism and the critical questions surrounding them and analyzes the relationship between the paradigmatic turn in postcolonial literatures and the concomitant rise of magical realism in Third World countries.
"synopsis" may belong to another edition of this title.
Taner Can is an instructor of English at the Ankara University School of Foreign Languages. His research interests include modern fiction, cultural studies, and literary theory.
"About this title" may belong to another edition of this title.
Shipping:
US$ 6.00
Within U.S.A.
Seller: Michener & Rutledge Booksellers, Inc., Baldwin City, KS, U.S.A.
Paperback. Condition: Very Good+. Text clean and tight; Studies in English Literatures; 8.30 X 6 X 0.80 inches; 250 pages. Seller Inventory # 210728
Quantity: 1 available
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized. Seller Inventory # M3838207548Z2
Quantity: 1 available