In late nineteenth-century France, more than a century after the introduction of color in printmaking, color became a major factor in the market success of lithography and other printmaking techniques.
Published to accompany a major exhibition at the Musée Jenisch Vevey, Enraptured by Color offers a comprehensive compendium of color printmaking, with examples from all aspects of the trade. In a detailed introduction, curator Laurence Schmidlin takes readers through the process of producing a color engraving and explains the differences between color engravings and color prints. Additional essays, illustrated with rare documents and representative examples from the period, expand on the technical processes behind polychromy, or the use of several colors, and its effect on artistic production in France around 1890. Finally, the book explores, through a wealth of color illustrations, how color was exploited by important artists of the period, such as Pierre Bonnard, Paul Gauguin, Odilon Redon, Paul Signac, Édouard Vuillard, and Henri de Toulouse-Lautrec.
"synopsis" may belong to another edition of this title.
Laurence Schmidlin is an art historian and curator and director of the Musée d’art du Valais in Sion, Switzerland.
"About this title" may belong to another edition of this title.
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Paperback. Condition: New. Enraptured by Color presents some 170 French colour prints from the 19th century. Using colour at that time was a major factor in the market success of lithography, more than a century after its invention, as well as of other techniques.This new book, published to coincide with an exhibition at Musée Jenisch Vevey, is a compendium of the art of colour printmaking, using the exhibits as examples for all aspects of the trade. Introductory and topical essays and a selection of rare documents alongside the featured works reveal the effects of polychromy and the technical processes behind it in artistic production in France around 1890. The book explains in detail how colour engravings are made and how they differ from a colour print. It investigates the aesthetic purpose of using colour and how it was exploited by important artists such as Pierre Bonnard, Paul Gauguin, Odilon Redon, Paul Signac, Édouard Vuillard, and Henri de Toulouse-Lautrec.Text in English and French. Seller Inventory # LU-9783858817983
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