Hardly any other contemporary artist has devoted himself to searching for traces left behind by different ways of life in the 19th and 20th centuries as the Canadian Rodney Graham (b. 1949). Since the 1970s, he has been working on a rhizome-like, conceptual oeuvre that has never shied away from new jumps in time or genre. His work combines film, photography, installation, performance, painting, literature, and music. Graham, who, along with artists such as Jeff Wall or Stan Douglas, belongs to the »Vancouver School«, appropriates styles, trends, and discourses from the era of romanticism through to post-modernity, commenting or expanding on them or rethinking them with an understated irony. This book, designed in close co-operation with the artist, accompanies the exhibition at Museum Frieder Burda. It presents Graham’s 36 photo light boxes from 2000 to the present, among them key works like the Newspaper Man. The central focus is on the manifold ways in which Graham has staged himself. He always gives the impression of a melancholy time traveler, a modern-day Buster Keaton, negotiating the trials and tribulations of modern culture in various guises and in doing so, slipping into the role of producer, observer or mediator.
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Rodney Graham was born in Abbotsford, British Columbia, Canada in 1949. He graduated from the University of British Columbia in 1971 and lives and works in Vancouver. Solo exhibitions include the Museum of Contemporary Art, Barcelona; Kunstmuseum, Basel; Hamburger Kunsthalle; Jeu de Paume, Paris; Sprengel Museum, Hannover (where he was the recipient of the Kurt Schwitters Prize), and the BAWAG Foundation in Vienna, Austria. He has been included in recent group exhibitions at La Maison Rouge, Paris; Vancouver Art Gallery; Palais de Tokyo, Paris; and CCA Wattis Institute, San Francisco.
The Avid Reader, 2011
The idea for this large triptych came from
a scene I witnessed on Main Street in
Vancouver: An artist acquaintance of mine
reading some old newspapers that had
been put up in the window of a shop that
was either closing or preparing to open―in
any case to prevent the inside of the shop
from being seen. I imagined the idea of an
avid reader, lets say a compulsive reader
even, who reads everything he encounters
on the street in sequence. I wanted as
well to make an image of two pasts, the
more distant past of history and the “just
past” so, having found a collection of
newspapers (The Vancouver Sun one of the
city’s two main dailies) from 1945―just
after the end of the Second World War,
and having found a man’s suit in my size
from the year of my birth, 1949 (dated by
the tailor), I decided to set the piece in
Vancouver in 1949 and have it document
the protagonist’s (as the actor, my own)
encounter with recent history. The building
is a Woolworths, the five-and-dime chain
ubiquitous in both North America and
Britain, and its windows have been covered
over (it is either closing or reopening)
with the already four-year-old Vancouver
newspapers. The avid reader, who has been
reading, as one does, from left to right,
has just turned the corner into the shop’s
glassed vestibule.
– Rodney Graham
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Hardcover. Condition: new. Hardcover. This book, designed in close co-operation with the artist, accompanies the exhibition at Museum Frieder Burda. It presents Graham's 36 photo light boxes from 2000 to the present, among them key works like the Newspaper Man. The central focus is on the manifold ways in which Graham has staged himself. He always gives the impression of a melancholy time traveller, a modern-day Buster Keaton, negotiating the trials and tribulations of modern culture in various guises For the first time, this book presents all 36 photo light boxes from the work of the Canadian conceptual artist.For the first time, this book presents all 36 photo light boxes from the work of the Canadian conceptual artist. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9783868288025
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