"Andy Warhol - Photography is the first book publication that pays tribute to the entire context of Andy Warhol's extensive photographic oeuvre. Andy Warhol stood both in front of and behind the camera lens. The camera was his constant companion, serving him as a sketchbook, a diary, and a means of communication."--BOOK JACKET. "Accompanying the extensive plate sections are essays by renowned art historians and interviews with personalities from Andy Warhol's world. A final section of the book is dedicated to Andy Warhol and the Factory as seen by other photographers like Duane Michals, Richard Avedon, Cecil Beaton, Robert Mapplethorpe, Oliviero Toscani, a.o."--BOOK JACKET.
"synopsis" may belong to another edition of this title.
These two exhibition catalogs showcase the breadth of Andy Warhol's involvement with photography, and the special way that photography meshed with Warhol's obsession with fame. Andy Warhol--Photography is the larger work. Boasting 110 color and 300 duotone illustrations as well as more than 15 essays and interviews, it is, in fact, by far the most comprehensive examination of the subject ever published. The range is impressive, encompassing film stills, documentary photography, the use of photographs as the basis for his paintings, "automatic portraits," and other photographers' interest in his studio, the Factory. Warhol was the catalyst for all the work included, whether he acted as the photographer, subject, stylist, or inspiration. This broad look at Warhol's use of the medium is essential for academic art libraries and a good choice for most larger public library collections. In the catalog to the Nadar/Warhol exhibition, two Getty Center curators compile photographs by perhaps the first documentarian of star culture, 19th-century Parisian Nadar, and the man who brought the conflation of celebrity and art to its apogee, Andy Warhol. The images span from an 1857 portrait of Henri Murger (a popular writer of the day whose stories are the source for Puccini's La Boheme) to a polaroid of Mick Jagger. Wisely, the comparisons are implied and never seem forced. After an illuminating essay on fame by Richard Brilliant (humanities, Columbia), the book opens with a section of full-page Nadar photographs giving way to a Warhol section in the back. Opposite each image is an essay--concise, extremely readable, well researched, and consistently entertaining--that acts as both a biography of its subject and an insight into the artist's development at the time. Overall, this attempt to draw parallels between two artists whose lives and work concerned the celebrity of others and eventually their own fame is both clever and fruitful; one comes away wondering why someone hasn't noticed the similarities before. A book that will appeal to various audiences, this is recommended for all photography collections.
-Douglas McClemont, New York
Copyright 2000 Reed Business Information, Inc.
...[B]y far the most comprehensive examination of the subject ever published.(Library Journal, 1/2000). -- Nashville, TN Tennessean, January 16, 2000
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Seller: Randall's Books, Cathedral City, CA, U.S.A.
Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Edition Stemmle, Germany / The Andy Warhol Museum, Pittsburgh, 1999. Hardcover, 398 pp. Published in conjunction with exhibitions in Hamburg, Germany and Pittsburgh. Covering the history of the artist and his ever-present camera. The final section of the book presents Andy Warhol and the Warhol Factory scene by such photographers as Duane Michals, Richard Avedon, Cecil Beaton, Robert Mapplethorpe, Oliviero Toscan, and others. Near fine in a very good dust jacket with color fading at spine. Jacket is in a new mylar sleeve. Seller Inventory # ABE-1708534256269
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hardcover. Condition: Very Good. Dust jacket shows some rubbing, scuffing and edge wear. Book itself shows some light shelf wear but is largely in fantastic condition. Seller Inventory # mon0000016736
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First Edition. Catalog of an exhibition held at the Hamburg Kunsthalle and the Andy Warhol Museum, Pittsburgh; an attempt to understand a man who "communicated with people by photographing them." Extensively illustrated and accompanied by texts from Heinrich, Candice Breitz, Hubertus Butin, Ludger Derenthal, Mark Francis, Heather Hess, Margery King, Karin Schick, and other contributing art historians. With index, bibliography, and list of illustrations. Hardcover. 4to. Black cloth boards in pink and black photographic dust jacket. Jacket shows moderate shelfwear/creasing and minor chipping to spine ends. Boards lightly bumped at corners. Near fine in very good plus jacket. 400pp. Near fine in a very good + jacket. Seller Inventory # 43744
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Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. 1999. 1st edition. Hardcover book with the dust jacket. Includes a new archival dust jacket cover. Sturdy binding. The text part of the book is clean and unmarked. The dust jacket has some scratches on the back side. Sealed in Shrink Wrap for protection in storage and shipping. Expertly packed. *PROFESSIONAL BOOKSELLER* Returns accepted. Refunds given. Seller Inventory # ABE-1704307520188
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Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good+. First Edition; First Printing. Oversize; foxing on top fore-edge, o/w VG+ ; 9.75 X 1.5 X 12 inches; 398 pages. Seller Inventory # 4143
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Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Seller Inventory # 106141
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