One of the most consistently inventive artists of recent times, Los Angeles-based Ed Ruscha has been a pioneer in the use of language and imagery drawn from the popular media. From his early powerful word paintings to his influential artist books of the sixties and seventies to his recent colorful views of generic mountains, Ruscha has investigated the spaces between highways and journeys, images and words, abstraction and representation, public imagery and the contemporary landscape. In this publication, which accompanies a major retrospective exhibition organized by the Hirshhorn Museum and Sculpture Garden in Washington, D.C. and the Museum of Modern Art, Oxford, Neal Benezra, Kerry Brougher, and Phyllis Rosenzweig focus on all aspects of Ruscha's career, revealing him not merely as an artist closely linked with Los Angeles, but as an important international figure in contemporary art.
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Ed Ruscha was born on December 16, 1937 in Omaha, Nebraska, but grew up in Oklahoma City where his family moved when he was 4. In 1956, he moved to Los Angeles, attending the Chouinard Art Institute. Under the influence of teachers such as Robert Irwin, Richards Ruben, and Emerson Woelffer, Rushca gave up his original intention of becoming a cartoonist and instead began to focus on fine art. Working occassionally as a graphic designer, Ruscha began using words in his paintings--an interest that has continued through the present--and the books he produced during the sixties and seventies have been deeply influential on many artists.
Ed Ruscha straddles an interesting line between Pop Art and the more experimental Minimalist art of the 1960s. This catalog for a large retrospective traveling exhibition of the artist's work follows his early career as he moved from Oklahoma to California and focuses on his important contributions (such as Twenty-six Gasoline Stations) to the field of artist's books. Such Ruscha icons as "Standard Station, Amarillo, Texas" and "Los Angeles County Museum on Fire" are highlighted, as are newer works (e.g., "Western") that see Ruscha moving toward a more impressionistic gray-scale palette. This includes an extensive chronology of the artist's life and exhibition record as well as a detailed bibliography. Recommended for larger collections of 20th-century art.DMartin R. Kalfatovic, Smithsonian Inst. Libs., Washington, DC
Copyright 2001 Reed Business Information, Inc.
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Seller: Calliopebooks, Potomac, MD, U.S.A.
hardcover. Condition: Very Good. 2000 Hirshorn Museum Wash DC. Pages are all clean and bright no marks. Blue hardcover is clean and strong. Dust jacket is missing. Seller Inventory # SKU1035236
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 57412929-6
Seller: Jeff Stark, Barstow, CA, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. Fine with no wear or markings in a near fine or a little better jacket. First edition stated on the copyright page. Also laid in is a folded 4 page Museum of Contemporary Art brochure on stiff cardstock with color front cover on Ruscha. Seller Inventory # 067380
Seller: Ammareal, Morangis, France
Hardcover. Condition: Bon. Ancien livre de bibliothèque avec équipements. Edition 2000. Livre reconditionné de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2000. Refurbished library book. Ammareal gives back up to 15% of this item's net price to charity organizations. Seller Inventory # H-671-612
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Seller: lottabooks, ORANGE, CA, U.S.A.
HARDCOVER. Condition: VERY GOOD. Dust Jacket Condition: VERY GOOD. FIRST EDITION~AN EXTREMELY CLEAN AND BRIGHT UNMARKED COPY OF THIS BOOK. Seller Inventory # 54231
Seller: PDNB Gallery, Denton, TX, U.S.A.
Condition: Very Good. Seller Inventory # 9E-EGQC-ZMUV
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. First. Blue paper over boards; Color illus. dj.; 206 pp.; Profusely illustrated in bw and color. Published in conjunction with a traveling exhibition that appeared at five venues in the United States and England from 2000 to 2002. Foreword by Kerry Brougher and James T. Demetrion, essays by Neal Benezra, Kerry Brougher, and Phyllis Rosenzweig. Wonderfully illustrated. VG (rubbed wear to board edges; rubbing to corners. dustjacket has edge-wear, scuffs & scratches). Seller Inventory # 143430
Seller: The Paper Hound Bookshop, Vancouver, BC, Canada
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Seller Inventory # 249067
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Seller: Nicholas J. Certo, Newburgh, NY, U.S.A.
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. First edition. Slightest reader lean to spine else fine in dust wrapper with small nick and minor edge crease to rear panel. A sharp collectors copy. BONUS - laid in 12 page exhibition catalog I DON'T WANT NO RETRO SPECTIVE prepared for a 1982/83 exhibition. Seller Inventory # 24-1 art modern ruscha