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Synopsis
As its point of departure,Funny Cuts takes, as its point of departure, Pop art's revolutionary referencing of comics and concludes with the most current trends in contemporary art, reflecting in many diverse ways its dialogue with the commercial and trivial picture worlds of comics and cartoons. Pop art artists like Andy Warhol and Roy Lichtenstein were ground-breaking in their provocative confrontation with high and low art using motifs and references from popular comics. In the 1970s, American comics dealt with taboo subjects like sexuality and violence--here, for the first time, the subversive potential and the psychological content of comic worlds were used creatively in in fine art. Within the context of the punk movement, Raymond Pettibon and Mike Kelley were inspired by comics through wall-length drawings that made use of the narrative element of comics on the border between visual art and literature. And internationally today, artists question political and social realities and their own identity through the mythological potential of comics and animations. Presented here are numerous images from roughly 100 artists that visually demonstrate the various ways in which comics have become a form of high art.
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- PublisherKerber
- Publication date2005
- ISBN 10 3938025018
- ISBN 13 9783938025017
- BindingHardcover
- Edition number1
- Number of pages200
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Funny Cuts: Cartoons and Comics in Contemporary Art
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Funny Cuts: Cartoons and Comics in Contemporary Art
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Hardcover. Condition: Good. As its point of departure,Funny Cuts takes, as its point of departure, Pop art\'s revolutionary referencing of comics and concludes with the most current trends in contemporary art, reflecting in many diverse ways its dialogue with the commercial and trivial picture worlds of comics and cartoons. Pop art artists like Andy Warhol and Roy Lichtenstein were ground-breaking in their provocative confrontation with high and low art using motifs and references from popular comics. In the 1970s, American comics dealt with taboo subjects like sexuality and violence--here, for the first time, the subversive potential and the psychological content of comic worlds were used creatively in in fine art. Within the context of the punk movement, Raymond Pettibon and Mike Kelley were inspired by comics through wall-length drawings that made use of the narrative element of comics on the border between visual art and literature. And internationally today, artists question political and social realities and their own identity through the mythological potential of comics and animations. Presented here are numerous images from roughly 100 artists that visually demonstrate the various ways in which comics have become a form of high art. Seller Inventory # AMPLE3938025018
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Funny Cuts: Cartoons and Comics in Contemporary Art
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Staatsgalerie Stuttgart, Stuttgart, 2004
ISBN 10: 3938025018
ISBN 13: 9783938025017
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Funny Cuts. Cartoons und Comics in der zeitgenössischen Kunst. Mit Beiträgen von Ulrich Pfarr und Andreas Schalhorn. Vorwort von Christian von Holst. Mit 121 farbigen und 16 Schwarzweißabbildungen. Erschienen anlässlich der gleichnamigen Ausstellung in der Staatsgalerie Stuttgart, 4. Dezember 2004 - 17. April 2005. Erstausgabe.
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Staatsgalerie Stuttgart und Kerber Verlag Bielefeld, Stuttgart, Bielefeld, 2004
ISBN 10: 3938025018
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Hardcover. Condition: gut. Erste Aufl. Großformatiger fadengehefteter illustrierter und folienkaschierter Pappeinband mit farbigen Vorsätzen in gutem bis sehr gutem Erhaltungszustand. In englischer Sprache. 142, (1) pages. 4° (194 x 284mm). Seller Inventory # BN22514
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Kerber: Funny Cuts. Cartoons and comics in contemporary art. Staatsgalarie Stuttgart 2004
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Condition: Aceptable. Autor: Varios. Editorial: Kerber. Fecha Edición: 2005. ISBN: 3938025018. Estado: BIEN. Leves golpes en cantos de la cubierta. Formato tapa dura, textos en inglés, 142 páginas. Printed in Germany. Cómic. Seller Inventory # 683232
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Funny Cuts: Cartoons and Comics in Contemporary Art
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ISBN 10: 3938025018
ISBN 13: 9783938025017
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Hardback. Condition: Very Good. 280 x 190 mm. 144 pp. Glazed pictorial boards. Small bump and a few unobtrusive slight splits at foot of spine. Small scuff on back board. Published to accompany the exhibition at Staatsgalerie Stuttgart, Deecmber 2004 - April 2005. With essays by Ulrich Pfarr and Andreas Schalhorn. English language edition. Extensively illustrated in b&w and colour. Book. Seller Inventory # 70156
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