Expressionist architecture: Expressionism, Brick Expressionism, Modern architecture, Adolf Behne, Hermann Finsterlin, Großes Schauspielhaus, Glass Chain, Erich Mendelsohn, Einstein Tower - Softcover

 
9786130097578: Expressionist architecture: Expressionism, Brick Expressionism, Modern architecture, Adolf Behne, Hermann Finsterlin, Großes Schauspielhaus, Glass Chain, Erich Mendelsohn, Einstein Tower

Synopsis

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Expressionist architecture was an architectural movement that developed in Europe during the first decades of the 20th century in parallel with the expressionist visual and performing arts. The term "Expressionist architecture" initially described the activities of the German, Dutch, Austrian, Czech and Danish avant garde from 1910 until ca. 1924. Subsequent redefinitions extended the term backwards to 1905 and also widened it to encompass the rest of Europe. Today the meaning has broadened even further to refer to architecture of any date or location that exhibits some of the qualities of the original movement such as; distortion, fragmentation or the communication of violent or overstressed emotion. The style was characterised by an early-modernist adoption of novel materials, formal innovation, and very unusual massing, sometimes inspired by natural biomorphic forms, sometimes by the new technical possibilities offered by the mass production of brick, steel and especially glass.

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Reseña del editor

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Expressionist architecture was an architectural movement that developed in Europe during the first decades of the 20th century in parallel with the expressionist visual and performing arts. The term "Expressionist architecture" initially described the activities of the German, Dutch, Austrian, Czech and Danish avant garde from 1910 until ca. 1924. Subsequent redefinitions extended the term backwards to 1905 and also widened it to encompass the rest of Europe. Today the meaning has broadened even further to refer to architecture of any date or location that exhibits some of the qualities of the original movement such as; distortion, fragmentation or the communication of violent or overstressed emotion. The style was characterised by an early-modernist adoption of novel materials, formal innovation, and very unusual massing, sometimes inspired by natural biomorphic forms, sometimes by the new technical possibilities offered by the mass production of brick, steel and especially glass.

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