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Max Reger: Hugo Riemann, Georg II, Duke of Saxe-Meiningen, Hans von Koessler, Fugue, Variations and Fugue on a Theme by Mozart, Variation form, Absolute music - Softcover

 
9786132703996: Max Reger: Hugo Riemann, Georg II, Duke of Saxe-Meiningen, Hans von Koessler, Fugue, Variations and Fugue on a Theme by Mozart, Variation form, Absolute music

Synopsis

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Johann Baptist Joseph Maximilian Reger (March 19, 1873 – May 11, 1916) was a German composer, conductor, pianist, organist, and teacher. During a composing life of little more than 25 years, Reger produced an enormous output, nearly always in abstract forms, although few of his compositions are well known today. Many of his works are fugues or in variation form, including what is probably his best known orchestral work, the Variations and Fugue on a Theme by Mozart (based on the opening theme of Mozart''s Piano Sonata in A major, K. 331). He also wrote a large amount of music for organ, including the Fantasy and Fugue on BACH (this piece, based on the BACH motif, is considered one of the most difficult and demanding in organ literature). He was particularly attracted to the fugal form his entire life.

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Reseña del editor

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Johann Baptist Joseph Maximilian Reger (March 19, 1873 – May 11, 1916) was a German composer, conductor, pianist, organist, and teacher. During a composing life of little more than 25 years, Reger produced an enormous output, nearly always in abstract forms, although few of his compositions are well known today. Many of his works are fugues or in variation form, including what is probably his best known orchestral work, the Variations and Fugue on a Theme by Mozart (based on the opening theme of Mozart''s Piano Sonata in A major, K. 331). He also wrote a large amount of music for organ, including the Fantasy and Fugue on BACH (this piece, based on the BACH motif, is considered one of the most difficult and demanding in organ literature). He was particularly attracted to the fugal form his entire life.

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