Somewhat dated now, and made long before his move to Hollywood, Turkish Delight is nonetheless unmistakably a product of the now-familiar Verhoeven style. The film's language and images still have the power to shock or offend, and we certainly get to see far too much of Hauer's private parts, even though some amazing visuals (mirrored candles, inspired beach art, and a nightmarish red Chinese restaurant) are some compensation. --Paul Tonks
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