Joseph Conrad and Material Culture offers a fresh approach to Conrad’s work, especially his African fictions, by grounding its discussion in the importance of material culture and its role in shaping the literary art form in modernity. Opening with the description of a uniquely carved African tusk as both a work of art and an object of material culture, Merry M. Pawlowski traces the scenes of African life displayed on that tusk to establish the major themes of her study of selected works of Conrad’s fiction and nonfiction. These themes include the presence of transculturation in colonial Africa, the transformation of the African fetish into the commodity fetish, the exploitation of the African continent through mapping, exploration, and trade, and the rise of the transcendent commodity. Employing cartographic, materialist, psychoanalytic, and postcolonial theories as frameworks, Pawlowski offers new insights using details, liminal presences, in Conrad’s texts enhanced by key illustrations to expand those details as revelatory of the broader material culture invoked by the text. The brief mention of a Huntley and Palmers biscuit tin, the single reference to the Great Exhibition of 1851, the intriguing hint of a vile scramble for loot, are a few examples of tantalizing textual presences. Pawlowski explores the presence of material culture through teasing out gaps, silences, and hints deployed in Conrad’s works. Revealing the rich context on which Conrad drew as he wrote, this book offers an opportunity for the reader to enter Conrad’s world through envisioning the defamiliarizing spaces from which he drew inspiration for his art.
This book is volume 31 of the series Conrad: Eastern and Western Perspectives, edited by Wiesław Krajka.
"synopsis" may belong to another edition of this title.
Merry M. Pawlowski is professor emerita of English at the California State University Bakersfield. She has published essays on Conrad’s works in earlier volumes of Conrad: Eastern and Western Perspectives, essays and book chapters on Virginia Woolf’s Three Guineas, and an edited volume entitled Virginia Woolf and Fascism: Resisting the Dictators’ Seduction.
"About this title" may belong to another edition of this title.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 45265574
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 45265574-n
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Hardback. Condition: New. Joseph Conrad and Material Culture offers a fresh approach to Conrad's work, especially his African fictions, by grounding its discussion in the importance of material culture and its role in shaping the literary art form in modernity. Opening with the description of a uniquely carved African tusk as both a work of art and an object of material culture, Merry M. Pawlowski traces the scenes of African life displayed on that tusk to establish the major themes of her study of selected works of Conrad's fiction and nonfiction. These themes include the presence of transculturation in colonial Africa, the transformation of the African fetish into the commodity fetish, the exploitation of the African continent through mapping, exploration, and trade, and the rise of the transcendent commodity. Employing cartographic, materialist, psychoanalytic, and postcolonial theories as frameworks, Pawlowski offers new insights using details, liminal presences, in Conrad's texts enhanced by key illustrations to expand those details as revelatory of the broader material culture invoked by the text. The brief mention of a Huntley and Palmers biscuit tin, the single reference to the Great Exhibition of 1851, the intriguing hint of a vile scramble for loot, are a few examples of tantalizing textual presences. Pawlowski explores the presence of material culture through teasing out gaps, silences, and hints deployed in Conrad's works. Revealing the rich context on which Conrad drew as he wrote, this book offers an opportunity for the reader to enter Conrad's world through envisioning the defamiliarizing spaces from which he drew inspiration for his art.This book is volume 31 of the series Conrad: Eastern and Western Perspectives, edited by Wieslaw Krajka. Seller Inventory # LU-9788322796382
Quantity: 3 available
Seller: Brook Bookstore On Demand, Napoli, NA, Italy
Condition: new. Seller Inventory # J7DGLRZL8H
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. Joseph Conrad and Material Culture offers a fresh approach to Conrad's work, especially his African fictions, by grounding its discussion in the importance of material culture and its role in shaping the literary art form in modernity. Opening with the description of a uniquely carved African tusk as both a work of art and an object of material culture, Merry M. Pawlowski traces the scenes of African life displayed on that tusk to establish the major themes of her study of selected works of Conrad's fiction and nonfiction. These themes include the presence of transculturation in colonial Africa, the transformation of the African fetish into the commodity fetish, the exploitation of the African continent through mapping, exploration, and trade, and the rise of the transcendent commodity. Employing cartographic, materialist, psychoanalytic, and postcolonial theories as frameworks, Pawlowski offers new insights using details, liminal presences, in Conrad's texts enhanced by key illustrations to expand those details as revelatory of the broader material culture invoked by the text. The brief mention of a Huntley and Palmers biscuit tin, the single reference to the Great Exhibition of 1851, the intriguing hint of a vile scramble for loot, are a few examples of tantalizing textual presences. Pawlowski explores the presence of material culture through teasing out gaps, silences, and hints deployed in Conrad's works. Revealing the rich context on which Conrad drew as he wrote, this book offers an opportunity for the reader to enter Conrad's world through envisioning the defamiliarizing spaces from which he drew inspiration for his art.This book is volume 31 of the series Conrad: Eastern and Western Perspectives, edited by Wieslaw Krajka. Joseph Conrad and Material Culture offers a fresh approach to Conrads work, especially his African fictions, by grounding its discussion in the importance of material culture and its role in shaping the literary art form in modernity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9788322796382
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # WI-9788322796382
Quantity: 5 available
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. Seller Inventory # 401008743
Quantity: 3 available
Seller: Revaluation Books, Exeter, United Kingdom
Hardcover. Condition: Brand New. 350 pages. 8.75x5.75x1.00 inches. In Stock. Seller Inventory # __8322796382
Quantity: 2 available
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition. Seller Inventory # 45265574
Quantity: 5 available
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Condition: New. In English. Seller Inventory # ria9788322796382_new
Quantity: 5 available