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Synopsis
English text.Saonara, 2009; br., pp. 144, ill. b/n, cm 16x24. The essays in Sculptors, Painters, and Italy: Italian Influence on Nineteenth-Century American Art examine the influence of Italy in the works of nineteenth-century American sculptors and painters. The focus is on their experience in Italy, their relationship with local workmen, their contact with Italian artists such as the Tuscan Macchiaioli, and the impact of their Italian experience on the formation of American art. The papers in the volume discuss such artists as Horatio Greenough, Thomas Cole, Hiram Powers, Henry Kirke Brown, Elihu Vedder, Edmonia Lewis, and John Singer Sargent. The essays are written by scholars from American universities and museums, and they appear in the following order: Elise Madeleine Ciregna, "'An Example in the Right Direction': Horatio Greenough's Life and Work in Italy"; John F. McGuigan Jr, "'A Painter's Paradise': Thomas Cole and His Transformative Experience in Florence, 1831-1832"; Rebecca Reynolds, "'No Ordinary Hands': Hiram Powers' Artistic and Professionally Related Family"; Karen Lemmey, "'I would just as soon be in Albany as Florence,' Henry Kirke Brown and the American Expatriate Colonies in Italy, 1842-1846"; Mary K. McGuigan, "A Garden of Lost Opportunities: Elihu Vedder in Florence, 1857-1860", Marilyn Richardson, "Friends and Colleagues: Edmonia Lewis and Her Italian Circle"; and Kathleen Lawrence, "John Singer Sargent, Italy, and the American Paradox." _______________________________________ Editor Sirpa Salenius is the editor of OltreOceano-TransAtlantic Transitions book series on nineteenth-century American artists and writers in Italy. Her publications examine the Grand Tour and the influence of Italy on the lives and works of such American authors as James Fenimore Cooper, Nathaniel Hawthorne, Mark Twain, Henry James, and Constance Fenimore Woolson. She is the author of Set in Stone: 19th-century American Authors in Florence (2003) and Florence, Italy:
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- PublisherIl Prato
- Publication date2009
- ISBN 10 8863360723
- ISBN 13 9788863360721
- BindingPaperback
- LanguageEnglish
- Edition number1
- Number of pages144
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Sculptors, Painters and Italy. Italian Influence on Nineteenth American Art.
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Sculptors, Painters and Italy. Italian Influence On Nineteenty-Century American Art
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Brossura. Condition: new. A cura di Salenius S.English text.Saonara, 2009; br., pp. 128, ill. b/n, cm 16x24.(Oltreoceano. Transatlantic Transitions. 3). The essays in Sculptors, Painters, and Italy: Italian Influence on Nineteenth-Century American Art examine the influence of Italy in the works of nineteenth-century American sculptors and painters. The focus is on their experience in Italy, their relationship with local workmen, their contact with Italian artists such as the Tuscan Macchiaioli, and the impact of their Italian experience on the formation of American art. The papers in the volume discuss such artists as Horatio Greenough, Thomas Cole, Hiram Powers, Henry Kirke Brown, Elihu Vedder, Edmonia Lewis, and John Singer Sargent. The essays are written by scholars from American universities and museums, and they appear in the following order: Elise Madeleine Ciregna, "'An Example in the Right Direction': Horatio Greenough's Life and Work in Italy"; John F. McGuigan Jr, "'A Painter's Paradise': Thomas Cole and His Transformative Experience in Florence, 1831-1832"; Rebecca Reynolds, "'No Ordinary Hands': Hiram Powers' Artistic and Professionally Related Family"; Karen Lemmey, "'I would just as soon be in Albany as Florence,' Henry Kirke Brown and the American Expatriate Colonies in Italy, 1842-1846"; Mary K. McGuigan, "A Garden of Lost Opportunities: Elihu Vedder in Florence, 1857-1860", Marilyn Richardson, "Friends and Colleagues: Edmonia Lewis and Her Italian Circle"; and Kathleen Lawrence, "John Singer Sargent, Italy, and the American Paradox." _______________________________________ Editor Sirpa Salenius is the editor of OltreOceano-TransAtlantic Transitions book series on nineteenth-century American artists and writers in Italy. Her publications examine the Grand Tour and the influence of Italy on the lives and works of such American authors as James Fenimore Cooper, Nathaniel Hawthorne, Mark Twain, Henry James, and Constance Fenimore Woolson. She is the author of Set in Stone: 19th-century American Authors in Florence (2003) and Florence, Italy: Images of the City in Nineteenth-Century American Writing (2007). She has been teaching English and American literature at American University programs in Rome and Florence. Her Ph.D. in English studies is from the University of Joensuu (Finland). Libro. Seller Inventory # 1927506
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