Discover The Songwriting Technique Used In 97% Of All Hit Songs How To Use Subtle Psychological Triggers To Captivate ANY Audience. Writing Pop, Rock, RnB or Hip Hop has never been easier or more fun. Master The Art Of Writing Addicting Songs Music is a tough industry to break into. With production gear being affordable for the first time in history, it seems like EVERYONE is making music these days. Getting noticed in the continuous stream of information that is the internet seems almost impossible. BUT: There is a technique designed specifically to captivate and hook an audience and with The Addiction Formula, you can learn it in a couple of hours. You will learn all about Lyric-Less Storytelling, a technique used by the most successful songwriters of our time. If you've always wanted to know how to write songs that stick out and speak to a large audience, this is the book for you. The Songwriting Book For A New Generation Of Songwriters The 60s are OVER! Songwriting today is a very different experience than it was when the Beatles were on the air. By combining Arrangement, Harmony, Melody, Rhythm, Lyrics and Production in one deviously simple technique it is the first songwriting book that speaks to an all-writing, all-producing DIY generation. Includes over 317 Techniques You Will Be Able To Use INSTANTLY Part 2 of The Addiction Formula is almost like a dictionary of hit songwriting techniques. All the tools are hand-picked from hit songs of the past 30 years. But this book is far more than just a list of tips and tricks: The Addiction Formula also shows you how the techniques can be applied to your songs. It puts all of what you learn into perspective and shows you how they all fit together. With 331 Examples Incl. Songs By Rihanna, Katy Perry, Drake and Maroon 5 Are you sick and tired of being taught techniques based on some old County song you've never heard of? One of my guidelines for writing this book was to only include hit songs from the past 30 years. Every single technique in The Addiction Formula is proven with one or more examples to show it in action and to help you learn it quickly and easy. I mean, hey, you get to learn by listening to the songs you listen to anyways! It's fun, quick and practical. Scroll up and get your copy NOW!
"synopsis" may belong to another edition of this title.
After spending some time at International Music College Freiburg, Friedemann realized that he had made a mistake studying jazz guitar. For two years he had spent every day trying to improve his playing technique - with no success. Rehearsing scales was not his thing. Instead, under the radar of his teachers, Friedemann wrote songs.
When he barely made his final guitar exam and his composition teacher (and creative director of the school) Bernhard G. Hoffmann heard his songs and told him "There is nothing more I can teach you", Friedemann quit the program and moved to the Netherlands. Here, he studied MediaMusic and his songwriting exploded.
In the following four years, Friedemann played in front of over a 100,000 people with his band, conducted his music in front of a live orchestra, was featured on prime time television, won two composition awards, had his music going to Cannes Film Festival and worked for some of the biggest names in the industry. He has received recommendations from songwriters Erwin Steijlen (Pink, Shakira) and René Merkelbach (Within Temptation), orchestrator Conrad Pope (The Hobbit, Harry Potter) and composer Jeff Rona (Traffic, God Of War III).
The Complete Guide To Writing Addicting Songs
"What if you could use the same psychological principles that have made people grow addicted to Game of Thrones, Breaking Bad or Lost to instantly hook your listeners?"
A New Set Of Tools For The Modern Songwriter, Incl.
Story Is Dead, Long Live Story
As far as I'm concerned, storytelling in music is about over. Yes, it still pops up every now and then in some country songs or your latest folk hit, but overall, songwriters are moving away from telling fully fleshed-out stories through their songs.
This in turn means one very important aspect of songwriting just falls by the wayside: dramaturgy. What storytelling did for centuries (going all the way back to bards) is provide a reason for listening to the whole song: If you wanna know what happens to Georgie, you have to keep listening. Every songwriter knows: Give the audience a good story and they'll stick around.
Now look at the following songs:
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