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This groundbreaking study assesses the genre of Indian-English fiction in the first decade of the twenty-first century. Some of the most prominent scholars in the field, including Rimi B. Chatterjee, Bill Ashcroft and Shirley Chew, explore a range of themes that extend from the re-mapping of mythology and history to reassessing the globalised India of today. Together, they contend that the current body of work of Indian-English literature is so varied and vibrant that it can no longer be dismissed as derivative or dispossessed. Instead, they regard this new corpus of writing to be a major aspect of contemporary Anglophone literature. Ultimately, the contributors contend that the current body of work in Indian-English fiction is so varied and vibrant that it can no longer be dismissed as derivative or dispossessed, or even as mere postcolonial 'writing back' or compensatory national allegory.
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About the Author:
Krishna Sen is professor and former head of the Department of English, University of Calcutta, and founder member of the University’s Women’s Studies Research Centre. Rituparna Roy has been a Lecturer in English Literature at Basantidevi College, Kolkata, India; and recently, an Affiliated Fellow at The International Institute for Asian Studies (IIAS), Amsterdam. She is the author of South Asian Partition Fiction in English: From Khushwant Singh to Amitav Ghosh, Amsterdam University Press, 2010.
Review:
“Such exciting scholarship on new and emerging literary genres along with critical discussions of how [Indian English fiction] has changed in the last decade are most welcome in the ever-expanding field of critical writing on fiction from or about India in the English language.”
(The Newsletter, International Institute for Asian Studies)
(The Newsletter, International Institute for Asian Studies)
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- PublisherAmsterdam University Press
- Publication date2013
- ISBN 10 9089645330
- ISBN 13 9789089645333
- BindingPaperback
- Number of pages284
- EditorSen Krishna, Roy Rituparna
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