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Synopsis
Western neoliberalism is a predatory outgrowth of late capitalism that overvalues competition, transferring the laws of the market to human relationships. This book advances the argument that anti-neoliberal cinemas of Europe, the United States, and the Russian Federation imagine and visualize alternatives to the non-sovereign realities of a neoliberal workplace that unequivocally endorses dangerous risk-taking, self-optimizing neoliberal subjects, and corporate ‘entrepreneurs of self.’ Always at stake in the examination of neoliberalism’s consequences is a human being who is indexed by race, gender, nation, ability, and economic performance. Drawing on film theory, transnational social histories, critical race theory, and Marxist and Foucauldian interpretive models, this book rediscovers a cinema that imagines a social contract focused on the common good and ethical standards for the social state. Anti-neoliberal cinema empowers the viewer as agentive through narratives that detail resistance to Western neoliberal modes of living and working. These filmmakers dramatize the labor of making solidarity across different groups.
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About the Authors
Helga Druxes is Paul H. Hunn '55 Professor in Social Studies, emerita, in the Department of German and Russian at Williams College, USA. With Patricia A. Simpson, she published an edited volume Digital Media Strategies of the Far Right Across Europe and the United States (2015), an edited volume on Navid Kermani (2016), and articles on migration film, and recent German fiction about exile and memory.
Alexandar Mihailovic is Visiting Professor of Literature at Bennington College and Professor emeritus of Russian and Comparative Literature at Hofstra University, USA. His books include: Corporeal Words: Mikhail Bakhtin's Theology of Discourse (1997), The Mitki and the Art of Postmodern Protest in Russia (2018; updated Russian translation, 2021), and the forthcoming Illiberal Vanguard: Populist Elitism in the United States and Russia (2023).
ALEXANDAR MIHAILOVIC is Associate Professor of Russian at Hofstra University. An expert on Russian literature, he has written extensively on the subject, including Corporeal Words: Mikhail Bakhtin's Theology of Discourse.
Patricia A. Simpson is Professor of German Studies in the Department of Modern Languages and Literatures at University of Nebraska-Lincoln, USA. Her most recent book is The Play World: Texts, Toys, and the Transatlantic German Childhood (2020). Other books include: Reimagining the European Family: Cultures of Immigration (2013), Cultures of Violence in the New German Street (2011) and is co-editor, with Elisabeth Krimmer, of Realities and Fantasies of German Female Leadership: From Maria Antonia of Saxony to Angela Merkel (2019).
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Paperback. Condition: new. Paperback. Western neoliberalism is a predatory outgrowth of late capitalism that overvalues competition, transferring the laws of the market to human relationships. This book advances the argument that anti-neoliberal cinemas of Europe, the United States, and the Russian Federation imagine and visualize alternatives to the non-sovereign realities of a neoliberal workplace that unequivocally endorses dangerous risk-taking, self-optimizing neoliberal subjects, and corporate entrepreneurs of self. Always at stake in the examination of neoliberalisms consequences is a human being who is indexed by race, gender, nation, ability, and economic performance. Drawing on film theory, transnational social histories, critical race theory, and Marxist and Foucauldian interpretive models, this book rediscovers a cinema that imagines a social contract focused on the common good and ethical standards for the social state. Anti-neoliberal cinema empowers the viewer as agentive through narratives that detail resistance to Western neoliberal modes of living and working. These filmmakers dramatize the labor of making solidarity across different groups. "Through a focus on recent film, this study examines the representation of neoliberal subjects from contemporary European, Russian and American cinema"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9798765101407
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Paperback. Condition: new. Paperback. Western neoliberalism is a predatory outgrowth of late capitalism that overvalues competition, transferring the laws of the market to human relationships. This book advances the argument that anti-neoliberal cinemas of Europe, the United States, and the Russian Federation imagine and visualize alternatives to the non-sovereign realities of a neoliberal workplace that unequivocally endorses dangerous risk-taking, self-optimizing neoliberal subjects, and corporate entrepreneurs of self. Always at stake in the examination of neoliberalisms consequences is a human being who is indexed by race, gender, nation, ability, and economic performance. Drawing on film theory, transnational social histories, critical race theory, and Marxist and Foucauldian interpretive models, this book rediscovers a cinema that imagines a social contract focused on the common good and ethical standards for the social state. Anti-neoliberal cinema empowers the viewer as agentive through narratives that detail resistance to Western neoliberal modes of living and working. These filmmakers dramatize the labor of making solidarity across different groups. "Through a focus on recent film, this study examines the representation of neoliberal subjects from contemporary European, Russian and American cinema"-- This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9798765101407
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Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Western neoliberalism is a predatory outgrowth of late capitalism that overvalues competition, transferring the laws of the market to human relationships. This book advances the argument that anti-neoliberal cinemas of Europe, the United States, and the Russian Federation imagine and visualize alternatives to the non-sovereign realities of a neoliberal workplace that unequivocally endorses dangerous risk-taking, self-optimizing neoliberal subjects, and corporate 'entrepreneurs of self.' Always at stake in the examination of neoliberalism's consequences is a human being who is indexed by race, gender, nation, ability, and economic performance. Drawing on film theory, transnational social histories, critical race theory, and Marxist and Foucauldian interpretive models, this book rediscovers a cinema that imagines a social contract focused on the common good and ethical standards for the social state. Anti-neoliberal cinema empowers the viewer as agentive through narratives that detail resistance to Western neoliberal modes of living and working. These filmmakers dramatize the labor of making solidarity across different groups. Seller Inventory # 9798765101407
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Taschenbuch. Condition: Neu. Screening Solidarity | Neoliberalism and Transnational Cinemas | Helga Druxes (u. a.) | Taschenbuch | Englisch | 2024 | Bloomsbury Academic | EAN 9798765101407 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. Seller Inventory # 128192605
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