A satirical mirror for the AI age disguised as Renaissance fiction.
A 15th century page turner that will make you wonder, "Why does this feel so much like today?"
Florence, 1461. Master manuscript illustrator Antonio Strozzi has survived plagues, political upheaval, and truly terrible Chianti. And what will the new technology of the printing press do to manuscript illustrators? Put them out of business. The irony is that the person who is going to be put out of business finds a glaring typo in the world's first mass-produced Bible.
One letter. One tiny scribal error that could upend centuries of Church doctrine—or get him burned at the stake for heresy. The choice should be obvious: keep quiet, keep breathing.
But Antonio has never been good at keeping quiet.
Tasked with returning the flawed Gutenberg Bible to Germany for correction, Antonio embarks on a treacherous journey accompanied by Gabriele, the monastery's stoic head guard. What should be a simple trip becomes a dangerous game of cat-and-mouse with Church authorities who have a vested interest in keeping Scripture—and the truth—under their control.
The road to Mainz is long. The conspiracy runs deep. And Antonio's growing feelings for his sword-wielding protector? Absolutely forbidden.
Perfect for readers who love:
A darkly funny thriller about faith, power, and one hell of a typo.
"synopsis" may belong to another edition of this title.
William Lower, Canadian, is a writer fascinated by the interplay of humor, history, and humanity. His writing journey began in the world of advertising at a time when the industry hired a disproportionate number of society's most unemployable people.
The bulk of his career was spent in the United States where he honed his storytelling skills while working with industry icons Mary Wells Lawrence and James Patterson.
Writing was always his first love, and he's since ventured into novels, satire, and nonfiction.
Humor has been a constant thread throughout his work, as has an underlying curiosity about human spirituality. He was frequently compared to Robin Williams (and Robin Williams was once mistaken for him.)
Working with Paul Schulman, former Wells, Rich, Greene, Head of Broadcast Production and later General Manager, Lower is currently exploring the art of storytelling on stage, with a Broadway show in development called "Outrageous" about the outrageous Mary Wells Lawrence, the outrageous people she employed and the outrageous results they achieved.
Whether it's books, articles, or stage productions, Lower's passion is to entertain, provoke thought, and make people smile even when all that's going on in the world gives people every reason not to.
A 15th-century satire? Or today's Inquisition 2.0?
When master manuscript illustrator Antonio Strozzi discovers a blasphemous typo in a Gutenberg Bible, it ignites chaos in 15th-century Florence. He and his assigned guard, Gabriele, are swept into a world where faith, power, and forbidden desires collide.
Amid schemes, swordplay, and ecclesiastical intrigue, this satirical adventure revels in irreverence and wit. "The Typo: In the Name of God" is a hilarious, poignant tale of error, resistance, and the enduring human need for love, laughter, and a little heresy.
As the printing press threatened to erase centuries-old creative professions, Antonio's journey mirrors today's anxieties over AI and creative automation. The Inquisition's shadow looms, echoing the rise of religious extremism and political theocracy in our own time.
History may not repeat, but it sure does rhyme.
"About this title" may belong to another edition of this title.
Seller: California Books, Miami, FL, U.S.A.
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # L2-9798999713001
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # L2-9798999713001
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Seller: CitiRetail, Stevenage, United Kingdom
Paperback. Condition: new. Paperback. "The Typo: In the Name of God," is a historical satire set in Florence in 1461, centered around the introduction of the printing press and the fictional discovery of the world's first typo, found in a Gutenberg Bible. The ensuing intrigue and journey connected to the correction of this error, the narrative weaves a story involving several characters: Antonio Strozzi, a Florentine master manuscript illustrator who discovers the typo; Gabriele, the head of security for the San Miniato al Monte Monastery; Prior Lorenzo, a cunning and ambitious monk; Guglielmo, a homeless man used as a messenger; and others including monks, thieves, and clergy during their travels across Italy and into Germany.Key Plot Highlights: The story begins with Antonio, the monastery's star manuscript illustrator discovering a typo in the Gutenberg Bible, specifically a lowercase "d" in the word "Deus" where it should be capitalized.Antonio is tasked by the abbot of San Miniato al Monte Monastery to take the Bible back to Gutenberg in Mainz, Germany, accompanied by the monastery's head guard, Gabriele, to have the mistake corrected. The irony is that the printing press will render Antonio's profession as a manuscript illustrator, obsolete.The narrative details Antonio's and Gabriele's journey, encountering various obstacles including thieves, internal Church politics, and conspiracies aimed at preventing the correction.During their journey, Antonio becomes increasingly attracted to Gabriele and grows anxious over his attraction since such bonds are forbidden in the age of the Inquisition.Gabriele senses Antonio's growing attraction and also struggles with the developing relationship.The Church's role in controlling the dissemination and authenticity of scriptures is a central theme, with clerical figures plotting to maintain ecclesiastical control.The journey includes intimate character development, swordsmanship lessons, interactions at inns and monasteries, and the influence of historical context such as the Inquisition and the Medici family.A parallel subplot includes Guglielmo's dangerous mission to deliver letters warning of conspiracies, aided by a healer named Seraphina.The story explores themes of faith, power, truth, knowledge control, and personal loyalty.Antonio's secret disbelief of much of the Bible's narrative reveals itself throughout their journey. Just before arriving in Mainz, in an emotionally-charged moment in an inn, Antonio confesses his love for Gabriele.There is detailed attention to historical accuracy in settings, social customs, and language referencing Latin, medieval monastic life, and Renaissance Italy. In "The Typo". a typo unleashes historical absurdities in this fictional tale grounded in meticulous historical facts. Laugh-out-loud moments erupt as ancient secrets unravel hilariously. Perfect for fans of smart, history-infused humor. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9798999713001
Quantity: 1 available
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - 'The Typo: In the Name of God,' is a historical satire set in Florence in 1461, centered around the introduction of the printing press and the fictional discovery of the world's first typo, found in a Gutenberg Bible.The ensuing intrigue and journey connected to the correction of this error, the narrative weaves a story involving several characters: Antonio Strozzi, a Florentine master manuscript illustrator who discovers the typo; Gabriele, the head of security for the San Miniato al Monte Monastery; Prior Lorenzo, a cunning and ambitious monk; Guglielmo, a homeless man used as a messenger; and others including monks, thieves, and clergy during their travels across Italy and into Germany.Key Plot Highlights:The story begins with Antonio, the monastery's star manuscript illustrator discovering a typo in the Gutenberg Bible, specifically a lowercase 'd' in the word 'Deus' where it should be capitalized.Antonio is tasked by the abbot of San Miniato al Monte Monastery to take the Bible back to Gutenberg in Mainz, Germany, accompanied by the monastery's head guard, Gabriele, to have the mistake corrected. The irony is that the printing press will render Antonio's profession as a manuscript illustrator, obsolete.The narrative details Antonio's and Gabriele's journey, encountering various obstacles including thieves, internal Church politics, and conspiracies aimed at preventing the correction.During their journey, Antonio becomes increasingly attracted to Gabriele and grows anxious over his attraction since such bonds are forbidden in the age of the Inquisition.Gabriele senses Antonio's growing attraction and also struggles with the developing relationship.The Church's role in controlling the dissemination and authenticity of scriptures is a central theme, with clerical figures plotting to maintain ecclesiastical control.The journey includes intimate character development, swordsmanship lessons, interactions at inns and monasteries, and the influence of historical context such as the Inquisition and the Medici family.A parallel subplot includes Guglielmo's dangerous mission to deliver letters warning of conspiracies, aided by a healer named Seraphina.The story explores themes of faith, power, truth, knowledge control, and personal loyalty.Antonio's secret disbelief of much of the Bible's narrative reveals itself throughout their journey.Just before arriving in Mainz, in an emotionally-charged moment in an inn, Antonio confesses his love for Gabriele.There is detailed attention to historical accuracy in settings, social customs, and language referencing Latin, medieval monastic life, and Renaissance Italy. Seller Inventory # 9798999713001
Quantity: 2 available
Seller: Rarewaves.com UK, London, United Kingdom
Paperback. Condition: New. Seller Inventory # LU-9798999713001
Quantity: Over 20 available