THE ART OF SEEING, THE ART OF LISTENING: THE POLITICS OF REPRESENTATION IN THE WORK OF JEAN-MARIE STRA

URSULA BOSER

ISBN 10: 3631523521 ISBN 13: 9783631523520
Published by Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2004
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Straub/Huillet’s work challenges received notions of film. This study takes a feature which is common to all of their films as its starting point for analysing this challenge: all are based on existing works of art. The author investigates how Kafka’s writing, music by Schoenberg and Bach and Cézanne’s painting engender alternative modes of filmic representation. In these, the shape of time and space and the material features of sounds and images engage the audience’s attention; they sensitise the viewer to the material inscriptions of human existence and an utopian potential. It is in this sense that these films are deeply political. By focusing on formal and stylistic features, and the interplay between the films and the works of art which they are based on, this volume responds to the films’ invitation to see and hear differently.

About the Author: The Author: Ursula Böser was born in Mannheim. She lectures in the Department of Languages and Intercultural Studies at Heriot Watt University in Edinburgh.

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Title: THE ART OF SEEING, THE ART OF LISTENING: THE...
Publisher: Peter Lang GmbH, Internationaler Verlag der Wissenschaften
Publication Date: 2004
Binding: Soft cover
Condition: Brand New

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Taschenbuch. Condition: Neu. The Art of Seeing, the Art of Listening | The Politics of Representation in the Work of Jean-Marie Straub and Danièle Huillet | Ursula Böser | Taschenbuch | Medien und Fiktionen | Englisch | 2004 | Peter Lang | EAN 9783631523520 | Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, 10178 Berlin, r[dot]boehm-korff[at]peterlang[dot]com | Anbieter: preigu. Seller Inventory # 125358621

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Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Straub/Huillet's work challenges received notions of film. This study takes a feature which is common to all of their films as its starting point for analysing this challenge: all are based on existing works of art. The author investigates how Kafka's writing, music by Schoenberg and Bach and Cézanne's painting engender alternative modes of filmic representation. In these, the shape of time and space and the material features of sounds and images engage the audience's attention; they sensitise the viewer to the material inscriptions of human existence and an utopian potential. It is in this sense that these films are deeply political. By focusing on formal and stylistic features, and the interplay between the films and the works of art which they are based on, this volume responds to the films' invitation to see and hear differently.; Dissertationsschrift. Seller Inventory # 9783631523520

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