Acting (Re)Considered : A Theoretical and Practical Guide

Phillip B. Zarrilli

ISBN 10: 0415262992 / ISBN 13: 9780415262996

Published by Taylor & Francis Ltd Okt 2002, 2002

About this Item

Neuware - This is an exceptionally wide-ranging collection of theories on acting, ideas about body and training, and statements about the actor in performance.

Seller Inventory # 9780415262996

Bibliographic Details

• Title: Acting (Re)Considered : A Theoretical and Practical Guide
• Publisher: Taylor & Francis Ltd Okt 2002
• Publication Date: 2002
• Language: English
• ISBN 10: 0415262992
• ISBN 13: 9780415262996
• Binding: Buch
• Edition: 2nd Edition
• Condition: Neu
• Dimensions: 253W x 182H x 28D millimeters 253 millimeters width by 182 millimeters height by 28 millimeters depth
• Weight: 886 grams

About this title

Synopsis

Acting (Re)Considered is an exceptionally wide-ranging collection of theories on acting, ideas about body and training, and statements about the actor in performance. This second edition includes five new essays and has been fully revised and updated, with discussions by or about major figures who have shaped theories and practices of acting and performance from the late nineteenth century to the present.
The essays - by directors, historians, actor trainers and actors - bridge the gap between theories and practices of acting, and between East and West. No other book provides such a wealth of primary and secondary sources, bibliographic material, and diversity of approaches. It includes discussions of such key topics as:
* how we think and talk about acting
* acting and emotion
* the actor's psychophysical process
* the body and training
* the actor in performance
* non-Western and cross-cultural paradigms of the body, training and acting.
Acting (Re)Considered is vital reading for all those interested in performance.

About the Author

Phillip B. Zarrilli is internationally known for training actors in psychophysical process through Asian martial/mediation arts, and as a director. He is the author of numerous books and essays including: When the Body Becomes All Eyes (1998); Kathakali Dance-Drama: Where Gods and Demons Come to Play (1999); a co-author of Indian Theatre: Traditions of Performance and the editor of Asian Martial Arts in Actor Training.