Adaptation in Musical Theatre (Paperback)

Short introductory books on significant theories, concepts, forms and elements of musical theatre.

Adaptation in Musical Theatre positions musical theatre as part of a broader cultural trend of recycling, referencing, remixing and alluding to existing creative works and texts. Despite critics often dismissing stage adaptations as lazy and safe bet options for producers, this book argues that crafting an adaptation enables creative teams to take fresh and imaginative approaches to a source text, given the multitude of ways in which the structures and styles of two (or more) different media can be combined.

From Les Misérables to Wicked, by way of Legally Blonde and Fun Home, this lively book addresses several modern musicals, each adapted from a different type of source – including fiction, film and graphic novels – and each offering a different approach to adapting existing work.

Published in Methuen Drama's Topics in Musical Theatre series, this book offers students a concise and readable study of a key and ever-evolving forms within musical theatre studies using relevant and contemporary case studies.

Robert Gordon is Professor of Theatre and Director of the Pinter Centre for Performance and Creative Writing at Goldsmiths, University of London, where in 2003 he introduced the first British MA in Musical Theatre for producers and writers and a new BA in Musical Theatre in 2018. He is author of The Purpose of Playing: Modern Acting Theory in Perspective (2006), Harold Pinter's Theatre of Power (2012) and, with Olaf Jubin and Millie Taylor, British Musical Theatre Since 1950 (2016). Edited collections include The Oxford Handbook of Sondheim Studies (2014) and, with Olaf Jubin, The Oxford Handbook of the British Musical (2016). He has acted and directed in South Africa, the UK, Ireland, the USA, Italy, Russia and the Czech Republic. In 2013, he directed the European première of Kander and Ebb's Steel Pier in Brno, while his musical version of Five Children
and It with composer Nick Hutson, received a professional workshop in 2015. He is currently engaged as a writer and actor of Shylock Speaks, which premiered in February 2020.